F32 and BEE There!

F32 and BEE There!

F32 and BEE There!

This is one of the first rolls I got back after setting up some ‘real world’ shots with my new macrobox. I’m thrilled with the results. I love the shadow cast on the flower by the bee, and the shadow of the leg is a bonus. Flashes were on either side of the bee; one more to the side, the other more from above. Black velvet draped behind. And a single strand of web in the back has caught a grain of pollen. It’s a minor distraction but if I’d noticed it at the time I would have removed it.

Stereo Staycation!

Due to the pandemic, my road trips to the States have been curtailed and limited to shorter journeys within my home province of Ontario. With all of the beautiful Saskatchewan vistas and the spectacular travel photos that were featured in the recent go ’round of the folio, I felt that Ontario should also have a chance to show off some of its breath-taking scenery.

“SLIDE AND THE FAMILY STONED”

Who needs to travel to Kingston, Jamaica when you can easily drive to Kingston, Ontario?  On the way to Kingston, why not stop in Napanee?  Napanee is so named for the unusual practice of its residents, who kneel while sleeping, which incidentally is not the same as sleeping while kneeling.  Napanee is full of pastoral views, such as this parking lot amusement park, seen here via an EHO stereo box camera.  The Altissa-EHO Stereo box camera was manufactured in the ’30s and has no provision for focusing.  It has a choice of two Waterhouse f stops – f11 and f22.  This image was shot using the EHO’s original single shutter speed of (I believe) 1/30th of a second.  The camera has visited a technician in the interim and has had its spring tensioned so that now it is capable of firing its shutter somewhere between 1/60th – 1/100th of a second!!  Captured on expired Velvia 50 and home-processed with a CPP2 Jobo unit.

 

“THEIR SNOW BUSINESS”

Meet Lorrie and Ray Dillard.  They reside in Barrie, Ontario, which is very far North of anything and above the permafrost line.  Lorrie and Ray run a successful snow-harvesting business, selling their surplus snow to countries around the world that won’t or are unable to grow their own snow.  The snow is shipped out via husky-powered sled in small individual manila bubble pack envelopes twice daily.  Lorrie and Ray hired Ethel Merman to sing their social media jingle; “Their Snow Business! Like ‘Snow Business’!”  This image is from a test roll I shot to determine if Rollei Superpan 200 could be reverse-processed in the sometimes-available Foma reversal processing kit.  Captured with Sam Smith’s conjoined AGFA Isolettes (the “Samulette”) on the aforementioned Rollei Superpan 200, and home-processed with a CPP2 Jobo unit.

 

“THAT’S IT (IN SPANISH)”

People not your thing? How about taking a road trip to Cooper’s Falls, Ontario?  This here gas pump is one of the most photographed entities in an almost-ghost town with not that many entities in it.  Approximately 14 houses in the area are still inhabited, and the waterfall after which this semi-ghost town is named cannot really be seen (or photographed) without trespassing, as it is situated on private property.  The title of this image is of the crossword puzzle question type, and by request, I am not supplying the crossword puzzle answer here.  Captured with an as-fine-tuned-as-is-possible-with-a-Soviet-camera Sputnik cobbled together of donated parts, on expired Provia 100F and home processed with a CPP2 Jobo unit.

 

“SCREAMING HEADS OF MIDLOTHIAN”

Every year, Worldwide Pinhole Photography Day falls on the last Sunday in April. It is an excuse for my daughter and I to spend a day together photographing various locations in Ontario using pinhole cameras. I will usually pack a “lensed” camera in addition to my pinhole camera(s). On WPPD 2019 we visited artist Peter Camani’s residence which hosts his grand scale outdoor art exhibition. There are various shapes of cast concrete screaming heads situated throughout his 310-acre property near Burk’s Falls, Ontario, each sculpture being in the 15-20 foot tall range. On this occasion I had packed my Hasselblad SWC, and I can’t remember if I was consciously trying to capture a stereo cha-cha image or not. In any case, I found an uncut roll of film with three pairs of images that looked like they might work as stereo pairs. Despite some anomalies between the left and right chips, my brain can fuse these images into a stereo image. As John Thurston likes to say, “your mileage may vary”. Hasselblad SWC, yellow or orange drop-in filter, expired Kodak Aerochrome film, home processed with a Jobo CPP2 unit.

Edison In Repose

Edison in repose

Our cat Edison abiding on a comfy chair.

There have been numerous entries playing with camera distance from subject, and with varying results. I love the idea of getting in close, but I would want to limit the depth of the scene so my background wouldn’t be difficult to fuse. Some years back I purchased a macro box from master 3D photographer John Hart of Colorado. At the time I was using it with my digital cameras, but it’s mostly sat around unused. Last year I decided to have a go with the Hasselblads. I was happy enough with the results, but the whole setup was a total PITA to use. Trying to get both cameras to the same settings, focus them both, capture an image, and then wind them for the next image (without knocking them out of focus or position in a cramped macro box) was an exercise in frustration. Plus there was a lot of experimentation with flash sync. Anyway, I do have an example of using the setup to capture a portrait of our cat Edison.

I do plan to continue this pursuit, but it will involve rebuilding the macro box to accommodate two motorized Hasselblads that can be triggered wirelessly

This was shot with flashes. I’ve mentioned before that I’m a fan of the strobist blog. If you are interested in learning about using portable flash units, go there and start with Lighting 101. I can’t recommend it enough.

I like the eyes and whiskers of course but I especially love the hairs in Eddie’s ears. They remind me of fireworks trails.

A Fine Bouquet

AFineBouquet_L as Smart Object-1One of my favorite fireworks shots, especially for the fineness of the light trails, and the color. I shared this image with someone who told me it made her feel like she was on top of the magic castle at Disneyland — one of my all-time favorite responses to a 3D slide.

Shot with twin Hasselblad 500Cs sporting 150mm lenses. Approximately 40 foot separation (based on the half mile distance between me and the fireworks, and the fact that we don’t discern any details behind the firworks — otherwise the 40 foot separation would be a problem).

White Spiders on Golden Blossoms

White Spiders On Golden Blossoms

Fireworks on Lake Union in Seattle

How about some fireworks to celebrate the arrival of Jet Weston Co? Congratulations to Boris and Michele.

This was captured on US Independence Day 2013 from the roof of a condo overlooking Seattle’s Lake Union. I had the roof to myself and was able to space my cameras 40 feet apart. On a previous attempt I had spaced the cameras 20 feet apart based on calculations from a Don Lopp formula. But when Don saw the images he told me that since there was nothing behind the fireworks I could go double on the distance. As usual, things go well when I listen to Don.

The cameras were 2 Hasselblad 500Cs with 150mm lenses. Film is Provia 100F. Aperture at f16 and I would count off about 8 seconds from when the fireworks started popping.

Welcome Jet Weston Co! Mazeltov!

Rose Petals with Leaf and Droplets

Rose Petals & Leaf With Droplets

Rose from Mandy's garden shot in a DIY macro box

 

I had been wanting to try out some close-up subjects with my hasselblads and I remembered seeing some great close-up flower images that Hai Tran had shown me. And Dale Walsh shared some close-up MF-3D at one of the NSA conventions. So I started shooting some experiments.

Of course after I started shooting I got all my film mixed up so I can’t exactly tell you what I did! But I’m going to start over again when I have the time and do some better documenting!

This was shot with a hasselblad on a slide bar. I think the separation between the lens centers is about 1/2 inch. The foremost part of the rose isn’t as sharp as I want it. But I think the leaf looks awesome! And the lighting on this setup worked out better (on the leaf) than in subsequent setups, and I am going to try to match this look.

I clearly needed some dust control. The rose blossom was heavy and I propped it up with a little tripod bent out of wire but I wasn’t clever enough in hiding it so you can see a sliver of it on the bottom.

I built a DIY macro box based on this post on strobist:

http://strobist.blogspot.com/2006/07/how-to-diy-10-macro-photo-studio.html

I’m not done exploring this.

Chelsea Market

Chelsea Market

Street scene in the Chelsea district

Visiting Manhattan over Christmas 2010 we got socked in by a blizzard. Our flight was cancelled so I got in a few more days of shooting scenes in the snow. Here I’m precariously perched on a mound of snow and could have used some snowshoes on my tripod. I love the quality of the saturated color in the reflections.

Twin Hasselblad 500Cs on a custom wood bar, 50mm, Provia 100F.

Liz 303

Fuji RAP 100F, f22, 1/2sec exposure, studio flash and some ambient light, using twin Hasselblads with 80mm lenses, 4.5″ stereo separation.  Original slide.

Liz was a wonderful model that I worked with in 2005.  Aside being a beauty, she was really smart, funny, and very creative.  She had visited the studio several times for the purpose of artmaking, and had each time remarked how much she loved this transparent vinyl chair that I had.  Well, one day I took her up on this, and asked her to show me how much she loved the chair.  I told her the chair had worked up the nerve to get naked with her.  Thus we produced some interesting images.  After making love to the chair via some traditional positions, I suggested the chair might enjoy receiving oral satisfaction from her.  She seemed game for anything.  Liz was a big flirt, and I had to control myself carefully…

HAPPY NEW YEAR!

Bob Venezia

  • Bryce Trail Colors
    TL-120 • Provia 100F • f/22 • shutter speed unrecorded
    This is an image that was destined for the wastebasket. Most of the image area was boring, showing loose slides of gravel, and the corner of a metal fence I hadn’t noticed. But when I stuck it in a pano mount — magic! I love the subtle colors — it reminds me of an old theatre set. To me it’s alchemy, when you’re able to take something that’s not working and spin it into something beautiful. I like this slide a lot, but maybe that’s because I rescued it
  • Stud Horse Point #4
    Twin Hasselblad 500Cs • 50mm lenses • Provia 100F • f/22 • shutter speed unrecorded
    In October 2008 I took a vacation in the Southwest US. Mandy (my wife) had less time available, so I drove down a week early to Page, Arizona, and spent some time with photographer/guide Jackson Bridges. This is one of the spots we visited. By the time Mandy flew down to meet me, she’d been spared a long drive, and I had an extra week of photography.
  • Blown Glass Cyclone #1
    TL-120 • Provia 100F • f22 • 8 seconds
    One of my favorite subjects is carnival rides at night. This was shot at the Evergreen Fair in Monroe, Washington, August 2009.
  • Waveswinger & Coaster
    Twin Hasselblad 500Cs • 50mm lenses • Provia 100F • f22 • shutter speed unrecorded
    Shot at the Puyallup (pyoo • AL • ip) Fair, September 2008. Cameras were probably butted together as close as possible, meaning about 4.25” separation between lens centers.