Ian Andvaag A32 submission



Boreal Floor. Velvia 100, TL120.

From the Esker. Provia 100F, TL120 cha-cha

Two of my contributions to this loop, Boreal Floor and From the Esker were taken at Narrow Hills Provincial Park in northern Saskatchewan. The latter was taken from an esker (ridge of earth pushed up by the last glacier) that runs along the park. It provides a nice vantage point looking over the boreal forest and numerous small lakes. Here I attempted a hyper stereo with my TL-120 by covering one lens and moving the tripod about a metre between exposures. There was a significant amount of smoke from wildfires in the area when I last visited the park, so unfortunately the sky was washed out and featureless in all of my slides.

 



 

Crested Wheat Corral. Superpan 200, reversal processed in D67. TL-120 with Hoya R72 filters.

Web. Provia 100F, TL120.

The other two images were taken at Grasslands National Park very near the Saskatchewan-Montana border. Crested Wheat Corral is in the west block of the park where the remains of several small ranches can be found. The area is very arid, and ranchers tried tilling the soil to improve the pasture, but this turned out to be a poor practice. They introduced Crested Wheatgrass (native to Russia) to the disturbed soil with limited success, but it did prevent further erosion. Large portions of the park still contains undisturbed virgin prairie, which is probably one of the most disturbed landscape types on the globe due to its agricultural usefulness. It’s somewhat off-topic for MF3D, but I made a surprisingly successful silver gelatin print from this slide by making an internegative. I think that this approach yields much better results than a direct reversal print.

Web was taken in the East block of the park in the early morning sunlight. I’ve been trying to branch out a bit and experiment with limited depth of field shots, in particular close-ups. I’m not sure if I’ve found much success. I think the image could have been improved by stopping down another stop to get a faster shutter speed, as I was not able to freeze the web’s motion in the gentle breeze, despite waiting several minutes for the wind to die down.

 



Entrance # 16, Hyères, France


Oleander hedges around the entrance to the house next door that my girlfriend’s sister rents each summer in the south of France.  The pine trees are full of cicadias noisily rubbing their wings each evening! A short ride downhill to the tennis courts, Mediterranean coast and beaches. Good place for your health with a diet of loads of varied fresh vegetables and seafood.

Ian Andvaag d22 submission

My first two images were taken in the East Block of Grasslands National Park in my home province of Saskatchewan, just North of the US border. It’s one of my favourite parks to visit. Since there are almost no trees (just a few cottonwoods down by the river), you can see a really long way. Consequently, you’re likely to see a lot of wildlife if you visit the park: pronghorn antelope, white-tailed deer, prairie dogs, badgers, ferruginous hawks and all manner of songbirds. Perhaps the most interesting is the burrowing owl, which makes its home in abandoned prairie dog tunnels. There’s also a herd of bison that they reintroduced to the park as a range land management strategy: the bison graze heavily on certain species of grasses, helping to keep a well-balanced prairie.

d22-1: Great Plains

d22-2: Badland Butte

There are no well-defined trails, so you are free to roam around how you like. There are not many visitors to the park, so you can really appreciate the surroundings and get lost in your own thoughts. Even though you can see quite far, there’s little worry about someone walking into the scene you’re photographing. A lot of people, particularly from rural areas of the province find it strange to “go camping in a pasture”, but it’s really a wonderful place to unplug from fast-paced life and just walk around and think about things. The (mostly) native vegetation and abundance of wildlife is also considerably different to a cultivated pasture. It’s hard to imagine that the entire lower half of this province was filled with native grasslands like these, before 90% of it was cultivated.

There was a pretty big storm the one day I went hiking, and as the lightning was getting closer, I realized how little cover there really was around me on the bald prairie. I rushed down to the bottom of a hill and crouched down to make myself small. There were some tremendously loud and bright lightning strikes nearby which were pretty scary. I felt pretty powerless. The Great Plains image was taken about half an hour later, after the storm had started to move on.

For Badland Butte, I wish I would have had a stereo rig that allowed me to increase the stereo base. I tried some cha-chas with the TL-120, but the angle of the shadows actually changed appreciably in between the exposures, leading to some somewhat unpleasant retinal rivalry. I’m fixing up a couple of Agfa Isolettes; hopefully I’ll have them ready to go for this summer. I’d love to hear anybody’s suggestions for a good slide bar. I found out that Jasper Engineering no longer makes their slide bars.

d22-3: Wild Sarsaparilla in Lingonberry

d22-4: Chokecherries

The last two images were taken in Narrow Hills Provincial Park, this time further North, but still in my home province of Saskatchewan. I really liked the subsurface scattering in the red Sarsaparilla leaves, and the background texture of small green Lingonberry leaves made for a nice detail shot. The Chokecherries image is from the top of an esker left when the glacier retreated. A trail runs along the top of the esker which overlooks several small lakes below. The lakes pictured here are called the Grace Lakes. I visited during the end of summer, so it got pretty cool at night.

Hope you enjoy! Thanks for all your submissions, I really had a great time viewing all the wonderful slides this time around!

Ian Andvaag

Golden Spikes

Golden Spikes

looking up toward the ceiling at the Chihuly Center

Taken at the Chihuly display at the Seattle Center. Tripods are not allowed, but, that being said, the guards are pretty mellow! I popped the prism finder off my TL-120 and laid it down on the floor facing the ceiling. Used a cable release. Somewhere I’ve got exposures written down probably but I would have just metered off some particular highlights and added 1.5 stops.

This is what it would look like if you were at the earthworm party, approaching from below, and heading toward the area where all the food and drinks were offered.

God Bless Texas

god-bless-texasThis image was taken with the TL 120 in a cemetery south of San Antonio, Texas. I was looking for a different kind of cemetery image. It sort of worked. Handheld under a bright sunny Texas sky. This was taken in 2012 when we had a bumper crop of color. I didn’t think to take thumbnails of my photos before I sent the folio on. So I dug out the extras I had and used the closest match.

 

Large Golden Slinky

Giant Golden Slinky

The ride "Enterprise" in action at the Puyallup Fair in Western Washington

 

This is a shot of the ride “Enterprise” at the Puyallup (pyoo AL ip) Fair in Western Washington. The Puyallup is one of the granddaddies of all the fairs. Its url is thefair.com.

See what I’m sayin’?

The enterprise starts out as a flat disk and then tilts up, making a fun pattern. The ride doesn’t last very long!

Krumlov Tower

Krumlov Tower

Everywhere you go in this UNESCO protected town there is a great potential for photographers. The narrow lanes and medieval buildings also make for plenty of deep stereo subjects. This image was shot hand held on the fly at 1/125 on Provia 100f. I set the aperture while metering through the lens of my TL120 and don’t remember what it was.

Krumlov Lane

Krumlov Lane

Shot hand held f16 at 1/125 on Provia 100f using my TL120.

Czesky Krumlov has become a popular tourist attraction in the Czech Republic, but up until the Velvet Revolution in 1989, it was just another medieval town. this place is a target rich environment.

My wife is originally Czech, and we go there every year, so you can expect a lot of my stuff to be from there. We were in a hurry when we walked past this street scene. It looked so cozy, I wanted to capture that feel.

Timo Puhakka