Tag Archives: nude
Betty w/ Morgan in the Hot Seat
Kat in Studio
Kat MF-B206.
I try to make sure my models don’t grow bored in the studio. Exercise helps. Shot with the twin Mamiya 6 Rig, studio strobes, on Kodak E100G film.
Kat MF-B119.
Snow Nymph
Rare sighting of a snow nymph in woods near our house. Shot with the Spud – sometimes is not bad for snap shooting! Looks mounted to beyond infinity… I think I’ll go fix that when the slide comes back.
Cedarcrest Inn Spirit Succubus
In spring of 2012 we had a holiday in Asheville, North Carolina, for cycling on the road and in the mountains. It was beautiful. Though warned about the ghost, we elected to stay at the historic Cedarcrest Inn, where we got the Romeo Suite. Of course we tried to capture an image of the ghost, meeting with limited success using some long exposures in available light (thirty seconds!). Shot with Sputnik.
BTS: Boris shoots Maia in St. Mary’s Wilderness
Boris works the Spud, while Chuck took this Behind The Scenes shot from across the stream with the TL120-55.
Maia C312 in St. Mary’s Wilderness
And last not least the picture that came out of my Spud about the same time that Chuck took his Behind The Scenes shot.
BTS: Chuck Comes Across a Wood Nymph – St. Mary’s Wilderness
Chuck Holzner was a onetime contributor to the MF3d folios, and we occasionally worked together on a project. Here we are in the St. Mary’s Wilderness, in the Blue Ridge Mountains, about five years ago? He joined me and my model for a fairly strenuous hike to find some nice situations where we could photograph lovely Maia, who was a champ trooping along in the woods for several hours. We were heavily laden with cameras and snacks and water! He brought his sputnik, I brought my sputnik plus a TL120-55 on loan from John Thurston (many thanks!), plus a couple of digital cameras, and all the necessary tripods. Thus armed, lots of silly pictures got made.
(by the way, the tag “BTS” stands for Behind The Scenes)
Liz 323
In the early aughts I worked numerous times with Liz, who was not just good looking, but quite a friendly jokester too. At the time, I had this inflated vinyl chair sitting around in my studio, and every single time she came for a photo session, she would remark how much she liked it. So finally, one day she came and again she said she loved the chair, so I asked her if she could show me how much she loved it, and could I photograph her loving it? That’s how this session came to be. Numerous really good images came out of the session, but probably my favorite one is this flub – the flash had failed to fire in synchrony with the shutters. She had just gotten down on the floor to receive the chair, and teasing me, had starting moving with it just so (you know what I’m talking about), when I shot this image impromtu, really before I was ready. All the subsequent images were well lit, but none showed this energy. Sometimes the best images are visible and available for only a moment, and too much gear or technical complexity leaves them inaccessible… or too much thought and direction spoils them.
Shot with twin Hasselblads CM500 on a bar, electric twin release.
M2506
Six or so years ago, when I first pursued the notion of shooting a homage to “Fred with Tires” by Herb Ritts, I made a version with my beloved M at the local Community Bikes shop. Our little boy was just a few months old and he got to watch the whole session from his portable playpen, just out of frame in this view. This was likely shot with a sputnik.
Bazaans MF A0204 (glamour challenged)
With this image, we are trying to convey the model’s struggles trying to stay afloat in an ocean of popular media glamour imagery, which features predominantly thin women. Bazaans has a “Rubenesque” figure, so her self-image is constantly challenged as being inadequate. What is she doing there? Is she vomiting some of the published pop glamour imagery? I need your help: let me know if you can figure out what it all means.
This was shot in studio with strobes, I think with my “old” Sputnik.
Selene MF D0514 (glamour challenged)
I’m not sure what to title this shot. I’m not sure what exactly I’m doing with this composition or concept. About five years ago, a vague creative idea started to form in my mind, that intended to be a “challenge” to glamour imagery in general. The idea was to create nominally pinup, or nude, or glamour type imagery, but to embed into the image something that was disturbing. It might be an an odd or disturbing detail that would upend an otherwise tranquil scene, an “easter egg” that would only be discovered if you explored the image relatively carefully and closely. Or it might be an image that more directly challenges the conventions of glamour photography, or that shows in some other way the “truth” behind a model’s reality, which might be quite the opposite of what the picture superficially conveys. This project is naturally self-referential and introspective, as it examines my own critical thoughts on the nature of nude or erotic image making, what it means for the artist, the model(s), or even the audience… and by taking that examination directly to the audience, I hope to challenge the audience to examine itself.
So this picture of Selene is one of several attempts I’ve made over the past few years at creating a “glamour challenged” or “challenged glamour” type of image – I’m still finding my way in this project, and can’t say that I feel any of the resulting images so far are particularly successful. I am still dissatisfied with them.
The day began with Selene and I looking for some pretty, natural spot in which to shoot, and after some hours, we ended up at this river not too far from the roadside. We set up and shot numerous standard or ordinary nude and semi-nude images of her posing among the rocks in this little river. She knew that in the end I’d be asking her to be getting into the water, but by the time that moment came, she was reluctant – she’d already noticed how cold the water was, after having put her foot into it several times. But she was a champ, and finally took the plunge. She gave quite a shout upon first entering the water, but then concentrated on giving me some poses. I had wanted her to look both “attractive” but somehow in trouble, distressed or drowning (?) in this river – and I thought she came up with some passable looks. I think we were both surprised by how she hardly needed to act looking uncomfortable, or indeed of distressed. As we quickly learned the water was indeed brutally cold, and after only thirty seconds to a minute, she needed to come out. I wrapped her in blankets, shivering violently, and it took her probably twenty minutes to recover from this seemingly innocuous dip in the water.
Bazaans MF C0109
Alright.. this one is a little bit nutty. I hesitated putting this in the folio, but I thought: it’s okay if people see where and how I make mistakes…. and yet it might still be entertaining!
The film had gone bad, probably just from old age. Both L and R show poor contrast, weak blacks. The film looks underexposed, though that seems unlikely to happen to me in studio. And the L and R film shows a slightly different color, both tending too much towards magenta. So: let that be a lesson to me: stop using twenty year old film!
But worse than these defects is that I shot too close… way, way too close up, given I was shooting with the twin Mamiya 6 rig, which has a stereobase of over 3 inches. What was I thinking!? I wanted to have an image that did not include the waist, I just wanted head and shoulders and chest. I’ve shot that way before doing cha-cha with a motor-drive Hasselblad (baseline of maybe an inch), but here for some reason I thought it would work out with the twin rig. Silly. Shooting from farther away might have worked better – if I’d had some longer lenses (e.g. 150 mm).
But still I think the the image is interesting. Note that even with the far points set at infinity separation – i.e. the edge of her elbow, not four feet away from me, set to infinity separation – the near points could not be brought to be “behind the stereo window.” So the actual space of her body, which spans a depth of just a foot or 18 inches, in the MF3d view geometry effectively spans five feet to infinity. There’s a lot of stretch!
This is the way I shot for many years in 35 mm film, using a twin rig of film SLRs. All those early images of mine look too stretched to me now – but I guess old habits, or old errors die hard.
I hope you can enjoy it anyway.
Bazaans A315
Another model I’ve been working with since 2016, this one is still in town good for more creativity! With her I’ve been trying to explore what I call “Challenged Glamour.” THat’s were I create an image that is nominally an ordinary glamour image, but then I put in some details that disturbs or mocks the normal first impression.
Aaria-A116
I briefly worked with this lovely model early in 2016. She had some great creative ideas, but sadly we were unable to follow up on all of them, because she ended up leaving town after just a few months. Them’s the breaks working with models – as inconstant as the weather.