Tag Archives: 150mm

The Finally, Part 1

by Bob Venezia

Independence Day fireworks over Lake Union in Seattle

Independence Day fireworks over Lake Union in Seattle

The process for getting these shots has been talked about in other posts, but this is shot with twin Hasselblads outfitted with 150mm lenses and separated by 40 feet. They are taken from the roof of a building owned by one of my best friends, and I have the roof to myself. That’s helpful because the cameras are tethered by a wired remote and I wouldn’t want someone tripping over a cord and killing 2 Hasselblads. That wouldn’t do.

The cameras are aimed into the sky during the day. This usually works out well, but last year I got burned. The cameras were aimed normally high but the fireworks were set off abnormally low. So I got almost nothing. This year I’m planning to shoot with a wider lens to capture more of the entire scene, and I’m in the process of running tests on those lenses to see if they match.

A Fine Bouquet

by Bob Venezia

AFineBouquet_L as Smart Object-1One of my favorite fireworks shots, especially for the fineness of the light trails, and the color. I shared this image with someone who told me it made her feel like she was on top of the magic castle at Disneyland — one of my all-time favorite responses to a 3D slide.

Shot with twin Hasselblad 500Cs sporting 150mm lenses. Approximately 40 foot separation (based on the half mile distance between me and the fireworks, and the fact that we don’t discern any details behind the firworks — otherwise the 40 foot separation would be a problem).

Golden

by Bob Venezia

Golden

Fireworks above Lake Union in Seattle.

This was shot on July 4, 2014 from the rooftop of a friend’s condo. I get the entire 40′ long, flat space to myself! And I take advantage of the full length. The cameras are Hasselblad 500Cs, outfitted with 150mm lenses. They are triggered by a wired remote devised by my genius friend, James Baker, who owns the condo. There is an article in the 1.2014 issue of STEREOSCOPY detailing what goes into the planning. See:

http://www.stereoscopy.com/isu/stereoscopy-journal-97-2014-1.html

David Lee

by John Thurston
  • Oak Tree
    Cameras – A pair of Bronica SQA’s, 150mm lenses
    Separation – 2 feet.
    Film – Fuji Provia 100F
    The image was made in Del Puerto Canyon between Patterson and San Jose, CA.
  • Trees in Water
    Camera – 3D World TL-120
    Film – Fuji Astia
    The image was made in the Joe Domecq Wilderness Area off Highway 132 near LaGrange, CA.
  • Porch Windows
    Camera – 3D World TL-120
    Film – Fuji Provia 100F
    The image was made in Bodie, CA, the largest ghost town in the United States. This is the Conway House.
  • Two Boys
    Camera – 3D World TL-120
    Film – Fuji Provia 400X
    The image was made at the Boardwalk in Santa Cruz, CA.