Tag Archives: Twin Hasselblads

Come, Fly, With Me

by Bob Venezia

I like the look of this bee a lot, but this is one of the very few times I was able to also capture an insect other than a bee. One of the things I love about these echinacea is the colorful spikes in those danger colors—yellow, orange, and red—like a collection of nuclear warheads arranged by Fibonacci.

Honeybee and green fly join forces in the inspection of nuclear warheads

Honeybee and green fly join forces in the inspection of nuclear warheads

Emerald City Angels – 2016

by Bob Venezia

Seattle Skyline with Blue Angels

Hyper view of downtown Seattle from Alki, with the Blue Angels overhead

This is a hyper view of downtown Seattle from Alki in West Seattle. The Blue Angels were performing as part of the SeaFair Celebration. I haven’t recorded the camera base but it wasn’t excessive — the cameras were wired together and I couldn’t risk having someone trip over one of them! The cartoon-y tourist boat in the foreground was a bonus.

I must have been trying to squeeze out some extra sharpness by setting a hyperlocal distance instead of just CRANKING the lenses to infinity. Lesson learned.

F32 and BEES There #2

by Bob Venezia

Bees on a dahlia

F32 and BEES There #2

Yes, I know these images are starting to seem repetitive but I took ’em, and you’re gonna look at em’! Hopefully by the next time I see a folio I’ll have new flowers and some different looks.

Boris in one of his comments on Folio A asked for more detail on the Macrobox, which is given here:

The Macrobox is based on a contraption I purchased years ago from John Hart of Colorado. It was designed to hold 2 cameras at 90 degrees to each other, and both cameras were aimed at a 50/50 mirror (aka a beamsplitter) which is at a 45 degree angle. One camera shoots THROUGH the mirror, while the other shoots at the reflection.

Overhead view of the Macrobox

Overhead view of the Macrobox

Side view of the Macrobox

Side view of the Macrobox

The original box needed to be modified to accommodate the motor-driven Hasselblads, which are taller. I shoot with the 120mm Makro lens, and up to 2 extensions of 56mm each. Most of the bee shots are shot with 1 extension. The cat shots are with no extensions. My target stereobase for the cats is 1.6cm and for the bees is 8mm.

In the sideview picture you can see the beamsplitter on the left side of the rig. If you look carefully at the mirror, you can see both cameras.

The cameras are individually mounted on sliders so they can be slid into position. Additionally, the Macrobox is normally mounted on a heavy-duty Velbon macro slider, to help with making fine adjustments to the positioning.

Keep it down up there, Willya?

by Bob Venezia

Keep it down up there, Willya?

Keep it down up there, Willya?

I lost my beloved cat Tesla in April to an aggressive cancer. Tesla was a total character: vocal, complaining, smart, adventurous, curious, determined, sneaky, athletic, playful. We were bonded and I miss her every day.

One of the reasons I wanted, and built, this Macrobox was to capture shots of Tess in MF3D. I knew it wouldn’t be an easy pursuit because the moment I started doing something she would be all over it. “No, Tess, I want you *in front* of the camera. Not *on* the camera.” That sort of thing.

I was able to catch her in a quiet moment when the camera and strobes had been pre-set for her position. I like to think that in this shot she is hollering at some kids upstairs to be quiet. In fact I caught her in mid yawn.

Bee Good #4

by Bob Venezia

This whole set could be titled “Adventures Near and Far.”

Bee Good #4

Bee Good #4

My most recent photo endeavors have revolved around a macrobox. I had purchased a box like this from John Hart of Colorado, but fitting my Hasselblads in it was a stretch—the space was so tight that, once the cameras were mounted, it was difficult to check their settings, and simply winding the cameras was bound to knock them out of alignment.

This was shot in August of 2020. Lots of the technical details are listed on the slide mount. One detail is listed incorrectly—the extension is 56mm and not 57. Cameras were triggered with the same wired trigger that I’ve used for fireworks. I like the look of the stamen in this shot—each one looks like a nuclear warhead. Using the macrobox, I was able to get a shot like this as well as shots of my cat Edison that circulated last round. But a total PITA to set up and use.

Meanwhile, a new friend of mine had opened my eyes to some Hasselblad equipment I was unaware of— things like bodies with built-in motor drives and wired remotes. I picked up a couple of the motorized bodies, but they were too big for the macrobox. That’s when the quest for a new macrobox began in earnest. By the end of September I had ordered an optical breadboard from Baselab Tools, which was to be the platform for my new toy.

Orchid #3

by Bob Venezia

DR5 Orchid

DR5 Orchid

This was one of many ‘proof of concept’ shot with the new macrobox in my kitchen. Here I’m still trying to wrap my head around camera placement in the box and other technical details. Obviously you don’t need a beamsplitter to get a shot like this—you could get this with a single camera moved slightly between shots. But my aim was to shoot ‘action’ macro shots, with flying insects. No matter how well you train your bees, that’s not going to work with cha-cha. Processed by DR5.

The Finally, Part 1

by Bob Venezia

Independence Day fireworks over Lake Union in Seattle

Independence Day fireworks over Lake Union in Seattle

The process for getting these shots has been talked about in other posts, but this is shot with twin Hasselblads outfitted with 150mm lenses and separated by 40 feet. They are taken from the roof of a building owned by one of my best friends, and I have the roof to myself. That’s helpful because the cameras are tethered by a wired remote and I wouldn’t want someone tripping over a cord and killing 2 Hasselblads. That wouldn’t do.

The cameras are aimed into the sky during the day. This usually works out well, but last year I got burned. The cameras were aimed normally high but the fireworks were set off abnormally low. So I got almost nothing. This year I’m planning to shoot with a wider lens to capture more of the entire scene, and I’m in the process of running tests on those lenses to see if they match.

Fantastic Bursts

by Bob Venezia

Independence Day fireworks above Seattle's Lake Union, July 2017

Independence Day fireworks above Seattle’s Lake Union, July 2017

One of my best all-time fireworks shots thanks to all the “sparkly shit!” There’s something special about the depth in this shot, which got a lot of ooohs, ahhhs, and long looks at the 2017 NSA Convention. Shot with Hasselblads separated by 40 feet and outfitted with 150mm lenses.

This year (2018) I aimed my cameras high based on the height of the fireworks from last year. That turned out to be sub-optimal, as they put on a “low show,” and I didn’t get nearly as many shots as I might have. I’m thinking next year I may try to go wide and capture the whole scene, with the barge and city background.