looking up toward the ceiling at the Chihuly Center
This is what it would look like if you were at the earthworm party, approaching from below, and heading toward the area where all the food and drinks were offered.
Golden Spikes
Tag Archives: long exposure
White Spiders on Golden Blossoms
Fireworks on Lake Union in Seattle
This was captured on US Independence Day 2013 from the roof of a condo overlooking Seattle’s Lake Union. I had the roof to myself and was able to space my cameras 40 feet apart. On a previous attempt I had spaced the cameras 20 feet apart based on calculations from a Don Lopp formula. But when Don saw the images he told me that since there was nothing behind the fireworks I could go double on the distance. As usual, things go well when I listen to Don.
The cameras were 2 Hasselblad 500Cs with 150mm lenses. Film is Provia 100F. Aperture at f16 and I would count off about 8 seconds from when the fireworks started popping.
Welcome Jet Weston Co! Mazeltov!
Large Golden Slinky
The ride "Enterprise" in action at the Puyallup Fair in Western Washington
This is a shot of the ride “Enterprise” at the Puyallup (pyoo AL ip) Fair in Western Washington. The Puyallup is one of the granddaddies of all the fairs. Its url is thefair.com.
See what I’m sayin’?
The enterprise starts out as a flat disk and then tilts up, making a fun pattern. The ride doesn’t last very long!
Luminous Wheel Fun n Games
The Giant Wheel at the Evergreen State Fair is illuminated behind the Fun n Games concession.
This is the one shot of the Giant Wheel and Fun n Games that worked for me this year. †his image does have some retinal rivalry but I think it serves to give the image a bit of action and adds to the image.
Blue Flower
The Giant Wheel at the Evergreen State Fair, now in LED!
The outfit that provides the rides for the Evergreen State Fair and Central Washington Fair is Butler Entertainment. This year they’ve outfitted their Giant Wheel with LEDs. I prefer the incandescent lights, but I know the LEDs will save a lot of energy. And the LEDs look pretty cool in my time-lapse movies. On film they can have nice patterns (or some with nauseating color) but they often look like big TV sets.
The rides always look (to me) like some great engine of science fiction when captured on film, and of course people should be mesmerized by it. So I’m glad the fellow on the left is doing his part.
Carousel Light Bokeh
Shallow DOF in a long exposure at night.
Normally I don’t think to use shallow depth of field for my stereoscopic photos but I’ve been inspired by the work of my friend Frank Roberto. It was very late, around midnight after the Evergreen State Fair was closed, that I took this shot. It was obviously a long exposure — it came out looking like noon! I miscalculated the light as I didn’t expect it to be this bright but I was pleasantly surprised to see it.
Shot with TL-120 at f2.8 using Velvia 50. Shutter unrecorded.
YOYO & Fireworks #8
Captured at the Evergreen State Fair in Monroe, Washington, August 2011.
Last year there were fireworks at the Evergreen State Fair and I didn’t know about it until it was happening. I was in a rotten spot to capture them and it all ended in tears.
This year I got the dates for the fireworks beforehand and guesstimated some good spots for shooting.
Reflection Lake Star Trails #2
I know what you’re thinking — the thing missing from this folio is some photos of Mt. Rainier.
For at least a couple years now Don Lopp has been bugging me to get down to Reflection Lake and capture this shot under a full moon. The idea is to take an exposure long enough to let the moon light the scene like day and still get star trails.
I shot some other film that night and processed it first. It came out much too dark and in the end I pushed this roll 2 stops. This was a 90 minute exposure. With the push it’s the equivalent of a 6 hour exposure (and star trails could have been 4x as long)! I am baffled by how true the colors look. I see no reciprocity failure.
Shot with 2 Hasselblad 500Cs on a twin bar. Provia 100F at f16.
“Invisible Falls”
I call these falls invisible because you can’t see them from the road. They are just below the road at a point where the Paradise River runs under the road. This is near the junction of the road between Paradise Lodge and Mirror Lake. One second exposure at f32 using Fuji Velvia.
Wildwood Rides
Night scene at Morey’s Pier in Wildwood NJ. shot w/ TL-120 on E200(?)
Tilt-A-Whirl & Grand Wheel
I feel like I finally got some good shots of the Tilt-A-Whirl last year at the fair. I like the combination of the magical lights, and the blue collar accoutrements. I like seeing some of the workings exposed (which is why I liked seeing Boris’ socks in the New Years photo!).
Zero Gravity & Rockets #2
I’d been to the Puyallup (pyoo AL ip) Spring Fair on Friday night and saw a poster advertising fireworks on Saturday “at around 9pm.” I made the trek the next night, got there early, scouted where the fireworks would be and what I could get in my foreground, etc. My plan was to shoot with the TL-120, and I started capturing other images while I waited. At 8pm I had just finished a roll in the TL-120 when I started hearing boom-boom-boom behind me. Not knowing how long the fireworks would last, I zipped up my backpack, grabbed both tripods with cameras already set, and hurried over to my spot. I would have done much better with the TL-120, since I would only have to wind one camera, and there’s more to check on the 2 Hasselblads. And sync is not an issue on the TL-120.
Temple Guardian #1
This is from my early days with my “Don-Lopp-modified-Sputnik.” We try to visit NYC every other year during the winter holidays. This is from a late-night visit to the NYC library. I spot metered around the scene. It’s quite dark there at night, with a little bit of ambient light from the traffic.
Provia 100F, f22, 80 seconds.
Silver Falls, Salem, Oregon
Shot with my home-made stereo camera. Probably f22.
Maia B 15
My version of a Christmas image? Well, making it did involve the use of a string of Christmas tree lights. 
Maia is a bit soft because she’s just trying to sit still for 30 seconds, while I pull the pile of lights out of her lap.
Fuji Astia, f22, about 30 seconds exposure, tungsten lights, using twin Mamiya 6 w/ 75mm lenses, 3.6″ stereo separation. Distance to subject about six feet. Original slide.
HAPPY NEW YEAR!