Category Archives: b23

David Lee

by John Thurston
  • Oak Tree
    Cameras – A pair of Bronica SQA’s, 150mm lenses
    Separation – 2 feet.
    Film – Fuji Provia 100F
    The image was made in Del Puerto Canyon between Patterson and San Jose, CA.
  • Trees in Water
    Camera – 3D World TL-120
    Film – Fuji Astia
    The image was made in the Joe Domecq Wilderness Area off Highway 132 near LaGrange, CA.
  • Porch Windows
    Camera – 3D World TL-120
    Film – Fuji Provia 100F
    The image was made in Bodie, CA, the largest ghost town in the United States. This is the Conway House.
  • Two Boys
    Camera – 3D World TL-120
    Film – Fuji Provia 400X
    The image was made at the Boardwalk in Santa Cruz, CA.

Linda Nygren

by John Thurston

All of these images were taken with my Sputnik which was tuned/rebuilt by Ted Baskin. All taken with tripod. The exposure is unrecorded but most likely using f/32 (or whatever is all the way past f/22 on my Spud) and 1/25 second on Provia 100.

  • Beach “Cottage”, Naples Florida
    The public beach at Naples Florida gives views of many such humble abodes. Note the Sea Grapes and Sea Oats in the foreground. A little dark, but I still like it.
  • Cypress Trees
    Near the Kirby Storter boardwalk in the Big Cypress Swamp area of south Florida
  • Shoreline at Solbakken Resort, Lutsen MN
    The Lake Superior shoreline is one of my favorite places, with special charm in winter. I try to visit every Jan or Feb, as well as once or twice yearly during other seasons.
  • Lake Superior Ice Breakup
    Unlike smaller MN lakes, the big lake does not freeze over completely in the winter. But during periods of calm more sheltered areas will freeze, then will break up periodically due to wave and wind action and the sheets of broken ice pile up along the shore. The sound when it is breaking up is also awesome (in the original sense).

Jim Harp

by John Thurston
  • Seattle – August Sunset
    TL120 on tripod, Provia 400X ½ second at f/22
    Taken August 2009, this was a candid shot. I noticed this guy was very still and thought it would be interesting to contrast that with people moving in the background. I use a Hasselblad waist level finder, so it’s very easy to take pictures unobtrusively.
  • Terminator
    TL120 with half power Vivitar 285H flash, handheld, Provia 400X 1/60 @ f/22
    This is the skeleton of a T-800 Terminator Cyborg. Furtunately for me he was in standby mode when I encountered him at the Univeral Studios Hollywood gift shop in August 2008. I go the sense that he was romantically interested in my TL120.
  • Jim and Maureen in the Stocks, Williamsburg VA
    TL120 on tripod, Vivitar 285H flash, 1/4 @ f/22, DR5 processed Illford Pan F
    A can’t miss photo-op at Williamsburg, VA. My daughter Erica was kind enough to trip the shutter after I set the shot up. I rated the Pan-F at ISO 25 as per DR5s suggestion.
  • Wonder Wheel, Coney Island
    TL120 on a tripod Provia 400X 1/250 @ f/22
    I took this prior to the Mermaid Parade, June 2008

Frank Roberto

by John Thurston

All photos – Sputnik, ISO 400

  • Concrete Factory – f/4.5, 1/15 second
    This is in Concrete, WA. The plant supplied concrete to many WAS cities. It has been in ruins since the late 1970s, I believe. I’m interested in silhouettes in 3D, and a fan of a shallow DOF.
  • Greenhouse – f/4.5
    I always keep an eye out for reflections when shooting 3D, though you don’t get much depth in the reflection itself here.
  • Fire Spinner – f/8?, Bulb for about a second
    After much trial and error, I got a few shots of fire spinners frozen by my flash, but with a longer exposure to get the fire trails.
  • Abandoned Dairy – f/4.5, 1/15 second
    On highway 20 outside Sedro Wolley, this is an abandoned dairy which was run by the nearby Northern State Hospital.

Bob Venezia

by Bob Venezia
  • Bryce Trail Colors
    TL-120 • Provia 100F • f/22 • shutter speed unrecorded
    This is an image that was destined for the wastebasket. Most of the image area was boring, showing loose slides of gravel, and the corner of a metal fence I hadn’t noticed. But when I stuck it in a pano mount — magic! I love the subtle colors — it reminds me of an old theatre set. To me it’s alchemy, when you’re able to take something that’s not working and spin it into something beautiful. I like this slide a lot, but maybe that’s because I rescued it
  • Stud Horse Point #4
    Twin Hasselblad 500Cs • 50mm lenses • Provia 100F • f/22 • shutter speed unrecorded
    In October 2008 I took a vacation in the Southwest US. Mandy (my wife) had less time available, so I drove down a week early to Page, Arizona, and spent some time with photographer/guide Jackson Bridges. This is one of the spots we visited. By the time Mandy flew down to meet me, she’d been spared a long drive, and I had an extra week of photography.
  • Blown Glass Cyclone #1
    TL-120 • Provia 100F • f22 • 8 seconds
    One of my favorite subjects is carnival rides at night. This was shot at the Evergreen Fair in Monroe, Washington, August 2009.
  • Waveswinger & Coaster
    Twin Hasselblad 500Cs • 50mm lenses • Provia 100F • f22 • shutter speed unrecorded
    Shot at the Puyallup (pyoo • AL • ip) Fair, September 2008. Cameras were probably butted together as close as possible, meaning about 4.25” separation between lens centers.

From Don’s Archives

by Don Lopp

1) Multnomah Falls
My home-made stereo camera • Velvia 50 • probably f22

2) Garden@ Mansion in Lakewood
Taken around 2000, using twin Fuji 645s with 45mm lenses. As sharp as any I’ve ever owned. Triggered with a twin cable release.

3) Montlake Japanese Garden
My home-made stereo camera • Velvia 50 • probably f22

4) Reflections in a Swamp
Taken in Bellevue, Washington with my home-made stereo camera • probably f22

Re-seeding Images

by John Thurston

My contributions for re-seeding our folio are all from the Mendenhall Glacier area of Juneau. These are near-duplicates of some work I offered in FolioA-Loop 23 (Raining Under Ice, Path To The Underworld, and others). As the folio-box fills and we need the space, I’ll have these images pulled and returned to me to make room for others’ work.

  • Pulled Out TL120-55, tripod, ProviaPulledOut
    Two kayaks are pulled out of the Mendenhall Lake on a scrap of gravel which, two years ago, didn’t exist. As the glacier melts, the rock face on which I’m standing was been exposed to the light of day and the creek (in the foreground) which used to tunnel under the ice falls freely into the lake. I walked in over the peninsula behind me. These two folks were able to take the easier route and paddle around.
  • Freshly Exposed Rock TL120-1, tripod, Kodak EGFreshlyExposed
    As that ice melts, new rock appears. This is rock which has never before been exposed to the light of day. The bit of ice on the right is actually the edge of the glacier. Two weeks ago, the rock in front of my camera would have been under the edge of the ice. It has been ground and polished by the weight of the ice being pressed up it. When I walk the peninsula, I have the opportunity to be the first to tread on a patch of ground.
  • On The Edge TL120-1, tripod, ProviaOnTheEdge
    This is a bit farther down the rock face. In another week (or maybe two), this face will be free from the press of ice and out in the light. If you were to crawl and down, you would probably reach the lake. I, however, feel too mortal to attempt the journey.
  • Under The Blue Dome TL120-55, tripod, ProviaBlueDome
    This is rock which has not yet been exposed to the light of day. It has spent centuries under the ice and will likely be exposed next year. Until then, it is lit only by the filtered blue light that makes it through the ice. Photographing here is a bit of a challenge. The light is dim, it is always raining melt water, and the roof is going to collapse; it’s just a question of when.