Selene MF D0514 (glamour challenged)

 

 

I’m not sure what to title this shot.  I’m not sure what exactly I’m doing with this composition or concept. About five years ago, a vague creative idea started to form in my mind, that intended to be a “challenge” to glamour imagery in general.  The idea was to create nominally pinup, or nude, or glamour type imagery, but to embed into the image something that was disturbing.  It might be an an odd or disturbing detail that would upend an otherwise tranquil scene, an “easter egg” that would only be discovered if you explored the image relatively carefully and closely.  Or it might be an image that more directly challenges the conventions of glamour photography, or that shows in some other way the “truth” behind a model’s reality, which might be quite the opposite of what the picture superficially conveys.   This project is naturally self-referential and introspective, as it examines my own critical thoughts on the nature of nude or erotic image making, what it means for the artist, the model(s), or even the audience… and by taking that examination directly to the audience, I hope to challenge the audience to examine itself.

So this picture of Selene is one of several attempts I’ve made over the past few years at creating a “glamour challenged” or “challenged glamour” type of image – I’m still finding my way in this project, and can’t say that I feel any of the resulting images so far are particularly successful.  I am still dissatisfied with them.

The day began with Selene and I looking for some pretty, natural spot in which to shoot, and after some hours, we ended up at this river not too far from the roadside. We set up and shot numerous standard or ordinary nude and semi-nude images of her posing among the rocks in this little river.  She knew that in the end I’d be asking her to be getting into the water, but by the time that moment came, she was reluctant – she’d already noticed how cold the water was, after having put her foot into it several times.  But she was a champ, and finally took the plunge.  She gave quite a shout upon first entering the water, but then concentrated on giving me some poses.  I had wanted her to look  both “attractive” but somehow in trouble, distressed or drowning (?) in this river – and I thought she came up with some passable looks.  I think we were both surprised by how she hardly needed to act looking uncomfortable, or indeed of distressed.  As we quickly learned the water was indeed brutally cold, and after only thirty seconds to a minute, she needed to come out.  I wrapped her in blankets, shivering violently, and it took her probably twenty minutes to recover from this seemingly innocuous dip in the water.

Two Modes of Travel

Scan000073Juneau is a government and a tourist town. In the summer, it is all tourists. You arrive by boat, or by plane, and both are common day trips for tourists. The Otters in the background will be loaded with folks heading south of town to the Taku River. They are 50(ish) year old De Havilland aircraft which have been repowered with turbo-props. The steamboat is a fiberglass hulled vessel built in the style of a 1900-vintage launch, but is powered by a 2000-vintage boiler and engine. They run hour-long harbor tours most days of the week.

Tripod-mounted TL120-1, taken on one of my noon-time walks.

Summer in Boise

From the winter of 2008, we move to the summer of 2008.  That summer, the NSA convention was in Boise. I went and took my TL120-1 along. Aside from the good time, good conversations, and good theater, there was great weather. I don’t know what the folks in Boise thought of it, but it was warm and dry (certainly not Juneau weather) and it appealed.

These were the two better street-shots of the two rolls I burned in Boise. Both are from a hand-held TL120-1.