“Mermaid Parade – Twin Pillows”

Scan000111Photographed with a TL-120 using Provia 100F pushed one stop with a Vivitar 285H with a diffusor for fill-flash.  I believe it was f16 @ 1/125.   The TL-120 seems to do fine with flash sync at 1/125 even though 3D World only claimed 1/30.

It was bright sunny day for the 2014 Mermaid Parade, fill-flash saved lots of my shots from excessive shadow detail.

For me fill-flash is like that commercial for hot-sauce:   “I put that $#*& on everything!”

Taj Mahal Close

Scan000109The Taj Mahal is often seen just in the classic full view, but there’s quite a lot to look at when you get closer in.   MF3D is really the only medium that can convey the richness of all the marble inlays and carving.

This was photographed with a TL-120 using Provia 100F pushed one stop.  I believe it was 1/250 @f16.  No tripods are allowed at the Taj unless major fees are paid, so this was shot with the camera hanging around my neck using a Hasselblad waist level finder and a cable release.   October 2010.

The TL-120 attracted a lot of attention in India, at times I was mobbed with people wondering what it was.

Statue of Alfred Eisenstaedt’s V-J Day Life Magazine Photograph Aboard the USS Iowa Battleship

Title:  Statue of  Alfred Eisenstaedt’s V-J Day Life Magazine  Photograph Aboard the USS Iowa Battleship

Location        San Pedro, California December 2012

Technical      Fuji GA645w (cha-cha no slide bar ), Fuji Provia F100

Comments         In 2012 the West Coast’s only Battleship opened to the public in San Pedro with the USS Iowa.   The self-guided tour takes you on a journey through World War II, the Korean War, and the Cold War to experience the life of a sailor on the lead ship of the last class of gunships.   The USS Iowa was the only ship of her class to have served in the Atlantic Ocean during World War II.   Despite the 16” guns, 5” guns, missile decks, bridge, mess areas, and world famous Captain’s Cabin – with the only bathtub installed on a battleship for a President, the most interesting item on the boat for me was this statue errected of the photograph of the nurse’s iconic kiss that marked the end of World War II.  The battleship alone is certainly a symbol of this and world peace but for a public display, they chose to combine the weapon of a battleship with the softness of a kiss.  The lasting power of a single photograph lives on.

On Aug. 14, 1945 New York City’s Times Square went dark at 7 p.m. and then at 7:03 p.m.,more than 750,000 people roared in jubilation as the words “OFFICIAL—TRUMAN ANNOUNCES JAPANESE SURRENDER” blazed across the news scroll.  Elated by the news, people in the crowd were hugging and crying tears of joy, but it was a far different experience for Edith Shain, a nursing school student.  “This sailor just grabbed me and kissed me,” she said. “Any female closes her eyes when she’s about to kiss so I never saw the guy, and then I walked away. I was kind of embarrassed. I didn’t say anything about it to anyone.”  What Shain didn’t realize, until a week later, was that her “indiscretion” was caught on film. While browsing a copy of a Life magazine, Shain, then 27-years-old, recognized herself in what has became an iconic photo titled “V-J Day” (Victory over Japan) of a sailor slightly dipping a nurse in a white uniform and kissing her.  Of the kiss, Shain said, “It was very nice, and of course, it was in the days before you’d scream and go to an attorney. It was the best of times.”  The famous photo was taken by Alfred Eisenstaedt, a photojournalist for Life Magazine. In his memoirs, Eisenstaedt explained, “Suddenly, in a flash, I saw something white being grabbed.  I turned around and clicked the moment the sailor kissed the nurse….People tell me that when I am in heaven they will remember this picture.”  Though Eisenstaedt died in 1995 at the age of 96, the celebrated picture has not lost its significance.  In celebration of the 60th anniversary of V-J Day, Shain flew to New York City where a slightly larger-than-life-size statue titled “Unconditional Soldier” by J. Seward Johnson based on the Life photograph was unveiled on Aug. 11, in Times Square.

 

View from the Shoin Building of The Japanese Garden

Title       View from the Shoin Building of The Japanese Garden

Location        Van Nuys, California April 2013

Technical      Fuji GA645w (cha-cha no slide bar ), Fuji Provia F100

Comments         Major architectural entities in the garden include the Shoin building which projects over the lake and adjoins the teahouse. Shoin was the residential dwelling developed for aristocrats, upper class monks and samurai during the 14th and 15th centuries. The exterior of this building is authentically shoin style, but the interior has been modified to provide a place for meetings and special events. While the room does survey a panoramic view of the garden, notice the white window blinds that slide horizontally.  The Japanese garden style is to reveal only portions of the garden at a time from a seating and not the entire panoramic view at once.

View of The Japanese Garden

Location        Van Nuys, California April 2013

Technical      Fuji GA645w (cha-cha no slide bar ), Fuji Provia F100

Comments         The Japanese Garden, dedicated June 18th, 1984, is a 6½ acre authentic Japanese garden fashioned after “stroll gardens” constructed during the 18th and 19th centuries for Japanese Feudal lords.  The trees are manicured to reduce any dense foliage and promote three dimensional views that allows one to see the pines, lake, and administration building in the background.   The foot path allows two people to enter together in order to encourage courtesy and to allow the viewing of small portions of The Garden from different vantage points.

View from the 101 Building – Taipei, Taiwan

May 2012

This is the view from the observation deck of the 101 building which is the tallest skyscraper in Asia.   This was a cha-cha shot with a TL-120 using Provia 100F pushed one stop.   I used a four foot separation, which is quite a bit less than the “1/30” rule would dictate.  While I don’t think this separation would produce satisfactory depth in 35mm or digital I feel that it works well for medium format.   Medium Format’s high level of detail provides plenty of depth cues and there’s none of the miniaturization effects that a 20 foot separation would have created.

 

Chelsea Market

Chelsea Market

Street scene in the Chelsea district

Visiting Manhattan over Christmas 2010 we got socked in by a blizzard. Our flight was cancelled so I got in a few more days of shooting scenes in the snow. Here I’m precariously perched on a mound of snow and could have used some snowshoes on my tripod. I love the quality of the saturated color in the reflections.

Twin Hasselblad 500Cs on a custom wood bar, 50mm, Provia 100F.

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