I had my TL-120 down at Toronto’s waterfront and I was attracted by the myriad of shapes, textures and colours (or colors, if you happen to reside in The States) that were migrating towards the shoreline. I kept a tight composition with the intent of creating a sort of in-camera collage. I wanted to fill the frame with as many of the various and sundry debris as I could, illustrating the contrast between man-made and natural debris, without necessarily establishing an indication of their location. This was shot on Velvia 100 using the TL-120’s built-in meter.
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