This is my favorite photo I’ve ever taken of moving water. The motion of the froth makes it look (to me) like a painting. Taken on the island of Kaua’i at (or near) Poipu beach. Twin Hasselblad 500Cs with 50mm lenses.
Category Archives: a25
Georgian Bay Rocks
Georgian Bay Log
Georgian Bay Tree Lookout
Chris Likes to Skate
Granville Market
James
I submitted an almost identical picture to the IMF Folio, but found this one later. In the other picture the chickadee is not sharp.
This was taken at ‘The Pinery’ provincial park near Lake Huron Ontario, Canada. In February, there should be snow, but it was warm and spring like. This was shot with the TL120 on SCALA and processed by Century film
Rocks
Sunset at Addicks Dam, Houston, Texas
The place: Addicks Dam ( & reservoir), Houston, about 3 miles from my house.
Time: winter (notice trees)
Camera: Lopp-ified spud on tripod
I will say we can have some pretty cool sunsets here. This is a favorite place for hiking and fishing. Not sure if the fishing is any good. Since it is so close to our house we frequently go here. The Addicks Reservoir and Addicks Dam in conjunction with the Barker Reservoir prevent downstream flooding of Buffalo Bayou in the City of Houston. In addition to the Reservoir’s flood damage reduction mission, recreation and nature observation opportunities abound through the approximately 26,000 acres (105 km²) of land that makes up Addicks and Barker reservoirs.
Ohio Pass Fall Colors, Colorado
The place: Ohio Pass, Colorado
The time: September 2011
The weather: sunny
The camera: my trusty Lopp-ified spud!
We spent 17 days traveling in northern New Mexico, southeastern Utah and western Colorado. The tress were just beginning to turn and we saw some spectacular scenery. A far cry from the mesquite and pine trees here in Texas.
Bear Creek Park, Houston, Texas
Buffalo River National Park, Arkansas
The place: Buffalo River National Park, Arkansas
The weather: very foggy and smoky.
America’s First National River
Established in 1972, Buffalo National River flows freely for 135 miles and is one of the few remaining undammed rivers in the lower 48 states. Once you arrive, prepare to journey from running rapids to quiet pools while surrounded by massive bluffs as you cruise through the Ozark Mountains down to the White River.
It is a spectacular place. However, the area was in drought conditions when we took our trip. People who were canoeing had to portage their craft in many places. No motor craft is allowed on the river. Also, there were wildfires in New Mexico with the smoke traveling northward. Most of Arkansas was smoke shrouded that summer. We did not do a water trip and saw very few people in canoes. We had a good trip in spite of the weather conditions.
The Buffalo River is connected to the White River, which is connected to the Mississippi, and laps up on the beach of the Gulf states.
The image was shot with the Lopp-ofied spud.
“Forgotten Old Relic Discovered”
Many acronyms have been created for the letters in “Ford”. Most of them are unflattering. I’m a big Ford fan, so I’ve created a positive acronym for F.O.R.D. – “Forgotten Old Relic Discovered”. This old Ford is resting peacefully by the side of the road in Crawfordville, Florida. I bought some infrared filters for my TL-120 and shot a few rolls of Kodak Aerochrome on that trip. This is one of the results. This particular strain of Aerochrome can be (and was) processed in E6 chemistry. The film is rated at 400, and I took exposure readings through the TL-120’s meter. The metering lens also had an infrared filter on it. I much prefer to photograph old wrecks and decaying cars over restored vintage vehicles (even though I do appreciate restored vintage vehicles). It’s been said many times, but if only these old rust-buckets could talk!
“THE COLOUR OF DEBRIS”
I had my TL-120 down at Toronto’s waterfront and I was attracted by the myriad of shapes, textures and colours (or colors, if you happen to reside in The States) that were migrating towards the shoreline. I kept a tight composition with the intent of creating a sort of in-camera collage. I wanted to fill the frame with as many of the various and sundry debris as I could, illustrating the contrast between man-made and natural debris, without necessarily establishing an indication of their location. This was shot on Velvia 100 using the TL-120’s built-in meter.