This is the famous Infinity Pool at the top of the Sands three-tower hotel in Singapore. You’ll find a lot of images online of this pool that feature the illusion that the back edge of the water drops off to the Singapore skyline, you’d think swimmers were in danger of falling off. This shot shows why they aren’t.
May 2018. I used a TL-120 with Provia 100F pushed one stop.
Photographed with twin Mamiya C220 cameras with 135mm lenses. I used Provia 100F pushed one stop. I’m fond of the surreal effect of slightly hyper images taken with zoom lenses. If I take the time to calibrate the twin release cable the Mamiya shutters are easy to sync up. You can see a bird flying in the distance in this shot with no rivalry.
Photographed with twin Yashica-Mat 124s, Provia 100F pushed a stop.
In 2005 the Philadelphia Center City District used banks of precisely targeted L.E.D.s to “paint” different city buildings with light.
Photographed with twin Mamiya C220 TLRs with 135mm lenses. Ilford Pan-F (rated at ISO 25) with DR-5 processing.
I’m very fond of the surreal results of slightly hyper shooting combined with zoom lenses.
One of the many costumed attendees at the Comic-con.
I used a TL-120 with Vivitar 285H flash/plastic diffusor. Provia 100F pushed one stop. I love the”hyper-realistic” portraits the TL-120 can produce.
This is a smaller pagoda that is near Yangon’s Shwedegon Pagoda.
Photographed with twin Mamiya C220 TLRs using 135mm lenses and a tripod.
Provia 100F pushed one stop, exposure was probably 1/125 @f22.
The Schwedegon Pagoda is considered to be the most sacred Buddhist temple in Myanmar.
Photographed with twin Mamiya C220s using 135mm lenses, I used a tripod. Prove 100F pushed one stop. Probably a 15 second exposure at f22.
This is the Mutianyu section of the Great Wall located 45 miles from Beijing. It is one of the most thoroughly restored segments of the wall.
Photographed with a TL-120 using Provia 100F pushed one stop. No tripod, I get good results with this camera using a waist-level finder and letting it hang around my neck.
This was a New York Stereoscopic Society activity, we all had a great time shooting stereo of kites against the Hudson river and NY skyline.
Photographed with twin Mamiya C220s with 135mm lenses. Prove 100F pushed one stop. I love the surreal quality the telephoto lenses give to this sort of scene.
Bagan is famous for its thousand year old Bhuddist temples. Many of these belonged to wealthy families who built them next to their houses. The houses were made of wood and are long gone, but the temples remain.
Photographed with twin Mamiya C-220s using 135mm lenses, December 2015. Prove 100F pushed one stop. I used a tripod. It was challenging hauling this huge rig around Myanmar and my family got a bit impatient with me at times, but it was worth it to get shots like this one.
This was the view from the Plaza hotel in Mussoorie India. It must have been a gorgeous residence at some point. You can see that someone is living there, or at least hanging some laundry up to dry. Mussoorie is in Northern India at the foothills of the Himilayas.
Photographed with a TL-120 using Provia 100F pushed one stop. I used a pod-support on a deck railing. I think it was 1/125 @f16.
Photographed with a TL-120 on a tripod using a Vivitar 285H with plastic diffusor for fill-flash. I think it was 1/60 @ f16.
There’s nothing quite like the Mermaid Parade, the participants loved to be photographed, and the stranger the camera the better.
Photographed with a TL-120 using Provia 100F pushed one stop with a Vivitar 285H with a diffusor for fill-flash. I believe it was f16 @ 1/125. The TL-120 seems to do fine with flash sync at 1/125 even though 3D World only claimed 1/30.
It was bright sunny day for the 2014 Mermaid Parade, fill-flash saved lots of my shots from excessive shadow detail.
For me fill-flash is like that commercial for hot-sauce: “I put that $#*& on everything!”
The Taj Mahal is often seen just in the classic full view, but there’s quite a lot to look at when you get closer in. MF3D is really the only medium that can convey the richness of all the marble inlays and carving.
This was photographed with a TL-120 using Provia 100F pushed one stop. I believe it was 1/250 @f16. No tripods are allowed at the Taj unless major fees are paid, so this was shot with the camera hanging around my neck using a Hasselblad waist level finder and a cable release. October 2010.
The TL-120 attracted a lot of attention in India, at times I was mobbed with people wondering what it was.
Montreal Lookout – Jim Harp
Shot with a TL-120 using Provia 100F pushed one stop. This slide didn’t even seem worth mounting until I thought of trying a panoramic mount. Unfortunately I used my last panoramic mount here.