Ian Andvaag A32 submission



Boreal Floor. Velvia 100, TL120.

From the Esker. Provia 100F, TL120 cha-cha

Two of my contributions to this loop, Boreal Floor and From the Esker were taken at Narrow Hills Provincial Park in northern Saskatchewan. The latter was taken from an esker (ridge of earth pushed up by the last glacier) that runs along the park. It provides a nice vantage point looking over the boreal forest and numerous small lakes. Here I attempted a hyper stereo with my TL-120 by covering one lens and moving the tripod about a metre between exposures. There was a significant amount of smoke from wildfires in the area when I last visited the park, so unfortunately the sky was washed out and featureless in all of my slides.

 



 

Crested Wheat Corral. Superpan 200, reversal processed in D67. TL-120 with Hoya R72 filters.

Web. Provia 100F, TL120.

The other two images were taken at Grasslands National Park very near the Saskatchewan-Montana border. Crested Wheat Corral is in the west block of the park where the remains of several small ranches can be found. The area is very arid, and ranchers tried tilling the soil to improve the pasture, but this turned out to be a poor practice. They introduced Crested Wheatgrass (native to Russia) to the disturbed soil with limited success, but it did prevent further erosion. Large portions of the park still contains undisturbed virgin prairie, which is probably one of the most disturbed landscape types on the globe due to its agricultural usefulness. It’s somewhat off-topic for MF3D, but I made a surprisingly successful silver gelatin print from this slide by making an internegative. I think that this approach yields much better results than a direct reversal print.

Web was taken in the East block of the park in the early morning sunlight. I’ve been trying to branch out a bit and experiment with limited depth of field shots, in particular close-ups. I’m not sure if I’ve found much success. I think the image could have been improved by stopping down another stop to get a faster shutter speed, as I was not able to freeze the web’s motion in the gentle breeze, despite waiting several minutes for the wind to die down.