“Mother Earth” was one of the centrepieces of the Mosaicultures International exposition of horticultural art held at the Montreal Botanical Garden in 2013:
http://www.mosaiculturesinternationales.ca/en/
Original slide, taken with tripod-mounted Heidoscop at 1/50 sec. at f25 on Sept. 1, 2013.
“The Man Who Planted Trees” was an entry by Montreal 
in the Mosaicultures International exposition of horticultural art held at the Montreal Botanical Garden in 2013:
http://www.mosaiculturesinternationales.ca/en/
Original slide, taken with tripod-mounted Heidoscop at 1/8 sec. at f25 on Sept. 1, 2013.
“Al
l in a Row” was Madagascar’s entry in the Mosaicultures International exposition of horticultural art held at the Montreal Botanical Garden in 2013:
http://www.mosaiculturesinternationales.ca/en/
Original slide, taken with tripod-mounted Heidoscop at 1/10 sec. at f25 on Sept. 1, 2013.
This self portrait of my wife Marie-Claude and me plays a bit more on the theme of mirrors. This time I chose a mirror with a very visible frame to emphasize its presense. The larger size allowed for greater stereo overlap within the mirror itself compared to the smaller mirror used in the previous set.
Original slide shot in Montreal in the gardens of St. Joseph’s Oratory on September 16th, 2012 with a tripod-mounted Heidoscop (as you can see) using Provia 400X exposed at 1/60th at f25.
This photograph was taken in the small chapel above which Saint Brother André lived in Montreal, an icon of whom can be seen in the mirror. He led the construction of the huge St. Joseph’s Oratory, and the plaques of thanks to Saint Joseph can be seen on the back wall behind the crutches left by pilgrims. Here is a link: http://www.saint-joseph.org/en_1033_index.php
Original slide shot September 16th, 2012 with a tripod-mounted Heidoscop using Provia 400X exposed for 3 sec. at f25
I am hoping that the stereo depth enhances the sense of the microphone array being frozen in space. Original slide shot at St. Joseph’s Oratory in Montreal on September 16th, 2012 with a tripod-mounted Heidoscop using Provia 400X exposed at 2 sec. at f25.
What can I say?
Original slide shot in San Francisco August 25th, 2009 with handheld Heidoscop using Provia 100F exposed at 1/25th at f18.
Does the blur signify motion and dynamism in 3D like it can in 2D, or is it a problem? Do we have less tolerance for movement in 3D? If yes, is it just a convention or do we need to be able to see the entire image clearly for the illusion to work well? I have another shot of this scene without the chess players that is clear but static.
Original slide shot August 24, 2010 at the Hariot Bay Inn on Quadra Island in British Columbia with a tripod-mounted Heidoscop with Provia 100P at 1/100th at f25.
Certain species of trees, such as the Western hemlock in the foreground, tolerate shade and remain small for years in the undergrowth waiting for an opening in the canopy to initiate rapid growth.
Original slide shot August 23, 2010 off the Lupin Falls Trail in Strathcona Provincial Park on Vancouver Island in British Columbia with a tripod-mounted Heidoscop with Provia 100P at 1 second at f25.
The giant statues of Paul Bunyan and his blue ox Babe must be among the most photographed tourist spots. It is a bit ironic to find this lumberjack in the middle of the tiny remnants of old-growth redwood forest when it was his profession that cut 97% of the redwood forest. Many visitors are impressed when Paul engages them in conversation, although this girl sitting on his foot seems more interested in the conversation on her cell phone. Original slide shot August 13, 2009 with a tripod-mounted Heidoscop with Provia 100P at 1/80th at f18.
This open pit salmon bar-b-que was photographed at the 46th Annual Yurok Tribe Salmon Festival in Klamath, California. A lot of the discussion focused on the collapse of the salmon fishery, central to the social, cultural, spiritual and economic life of the Yurok Tribe. The salmon tasted great.
Original slide shot August 16, 2009 with a tripod-mounted Heidoscop with Provia 100P at 1/50th at f22.
I am not a car buff but I am impressed by the huge amount of work enthusiasts invest in restoring old vehicles. The contrast between this 36 Chevy and the magnificent restored cars illustrates how much skill, time and money is required to transform a pile of junk into a winning car. Photographed at the Cool Northern Nights On The Coast 6th Annual Benefit Car Show in Crescent City, California, organized by the Northern Knights Car Club. Original slide shot August 15, 2009 with a tripod-mounted Heidoscop with Provia 100P at 1/50th at f18.
This 32 roadster was photographed at the Cool Northern Nights On The Coast 6th Annual Benefit Car Show in Crescent City, California, organized by the Northern Knights Car Club. The show takes place in the beautiful port of Crescent City, and shows an impressive range of show cars. I hope you see why I titled it Triple 32 Roadster.
Original slide shot August 15, 2009 with a tripod-mounted Heidoscop with Provia 100P at 1/30th at f25.
This was taken a few minutes later. (See notes from previous image) By this time, the shadows have eaten up a lot of the closer depth cues, (and apparently my ability to see the bubble level in the viewfinder) but there is still some sense of being there. It will be interesting to see how the digital slides compare noise-wise to this one.
According to the 3D World mounting jig, the vertical alignment is either perfect, or off by a bit, depending on which side of the slide is up in the jig. I suspect this means the lines on the jig are off by a hair. Please let me know what you think.
I haven’t been able to do much shooting the past two years, but I hope to make up for lost time on the next loop. Thanks for your patience, and for sharing some amazing images.
I was juggling the Heidoscop, and a couple of digital rigs hoping to get a set of digital->film comparison slides printed up for this loop. Hopefully the digital slides will catch up with the folio before the next stop is over.
In order to reduce the severe headaches I’ve been getting during mounting, I’m experimenting with keeping the edges of the chips lined up in between the two horizontal ridges in the 3D World mounts. This has been a huge help, but in this particular case, the downside was that the horizon is a little bit tilted, and there is a bit of tree branch dangling down at the top that I would have masked w/ the mount if I could have slid and rotated the chips a little bit.
According to the 3D World mounting jig, the vertical alignment is either perfect, or off by a bit, depending on which side of the slide is up in the jig. I suspect this means the lines on the jig are off by a hair. Please let me know what you think.
I haven’t been able to do much shooting the past two years, but I hope to make up for lost time on the next loop. Thanks for your patience, and for sharing some amazing images.