Tag Archives: Fuji Velvia 100

Ray Dillard – Some old, some new, some that didn’t work so well

by Ray Dillard

I continue to experiment with multiple exposures. I had some failed attempts at indoor shots; somewhere my math went horribly wrong! I will continue to work on the math and measurements and make more attempts at indoor multiple exposures.

This first image I have included, titled “Angles”, is a look at shooting not only multiple exposures, but a variety of camera angles. I was interested to try and create a combination of vertical and horizontal lines among obviously diagonally skewed lines. I was also interested in the skewed lines being confused further by clearly being objects that should NOT be skewed. I plan to do more experimenting with this angular approach to multiple exposures. This is from a recent set of experiments. Five exposures on my Sputnik, handheld, with Fuji Velvia 100.

“Angles”

 

The next image is titled “Global Focus 3”. This variation of an image posted in a previous pass of the folio utilizes a slightly different alignment of the multiple shots. This variation is presented as it solves some of the issues commented on about the original version, while having other issues that worked better in the earlier version Global Focus presented a few years back. Thus is the nature of experimentation! I am a musician who has found experimentation to be a primary element of my 40+ year career of music making. This is just an extension of that reality. Two exposures on my Sputnik with Fuji Velvia 100.

“Global Focus 3”

Metal sculpture by Canadian sculptor Roy Hickling.

 

The third image I have included is “The Incursion”. This is also an earlier shot where I attempted to carefully place an object in a specific part of another object using a quadruple exposure. It is close to what I had hoped for, but size, perspective, alignment and exposure is a massive set of variables to deal with! Same sort of challenges as found in “Angles” above. Three exposures on my Sputnik with Fuji Velvia 100.

“The Incursion”

Metal sculpture by Canadian sculptor Roy Hickling.

 

Thanks to Steve Lederman for scanning these images for me!

Steve also developed some of the film for me in his home-basement-lab and used his superior skills to aid in some of the mounting.

Douglas Fir Campground, Mt. Baker Wilderness, Washington

by Brent Osborne

This campground is great if you are ever up near the North Cascades and near Mt. Baker, another active volcano in Washington. It features tall Douglas Fir trees and is great to stop off at before heading into Canada. Upon walking around the campground (RV and car camping mind you), we came across these stone steps. The lighting was pretty nice, so I took a few shots. All in all, it came out ok IMHO. However, in hindsight, I would have liked to get a little closer and get more detail in the shot. Since I have moved to using the TL-120 from having used a Sputnik for years, I find myself shooting from further away. However, after looking at other pics in the folio, it seems to me that some of you are shooting closer than I had ever thought I could with the TL-120. So, we’ll see how I can make up for that in the future. Wish me luck!

Shot on my new TL-120 with old expired Fuji Velvia 100f film. Hence the subtle magenta cast.

Ian Andvaag A30 submission

by Ian Andvaag
Encroaching Dunes and Storm Brewing were taken during the four separate times I visited Douglas Provincial Park this summer. It is a nice ~4km walk out to the dunes, through scrubby aspen parkland full of scraggly junipers and cacti eking out an existence off the dry, nutrient deficient soil. Unfortunately our provincial government has thoroughly defunded our provincial parks, so the nature centre at the trail head has been permanently closed and has fallen into disrepair. So, I don’t know much about this unique ecozone. At least the trail markers remain mostly in tact, so it is still easy to find the dunes, although the trails are not used very frequently. During my visits I only ever encountered maybe 3 groups of people.
The first time I went I discovered rather dramatically at the end of my 5 hour hike that my TL-120 had not been working properly. It was getting dark and I decided to do a couple of longer exposures. I set up the camera to 1 sec and took the shot … the shutter did clicked open and shut without any delay. Uh-oh. I had always thought that the camera had a mechanical shutter, so even if the battery was dead, it would still operate normally, except for the light meter. Earlier in the day I had been shooting at around 1/60, and didn’t notice that the shutter wasn’t staying open long enough. I think I developed 5 super underexposed rolls from that excursion. Lesson learned, I’ve now carefully reread John Thurston’s excellent page on battery options, and I always carry spares now, and I change the batteries periodically.
Canola Fields and Milkhouse were taken near the farmyard where my Dad grew up. I should have been there about 1 week earlier to get optimal colour in the canola flowers. I wish I would have had an opportunity to photograph the field in the early morning or late afternoon warm light, but it was cloudy. I think Milkhouse is a bit weaker than the other slides in my submission, but I really like the colours, so I decided to include it.
I’m really enjoying shooting with the TL-120, but I still take out my Sputnik in adverse weather conditions and when it is inconvenient to lug around the heavy TL-120. Sometime in the future I’d really like to try some hypers after seeing some amazing slides from the folios. I still struggle with exposure a bit, I’d say only about 80% of my shots come out properly exposed (provided my camera has functional batteries!) Was the TL-120’s internal light meter calibrated for colour negative film, because it seems to overexpose most scenes by a bit. I use my Gossen Luna Pro F primarily. Perhaps I should consider getting a spot meter.
I really enjoyed the folio again, thanks all for your lovely images!

Global Geometry

by Ray Dillard
GEOMETRY

GEOMETRY

GLOBAL FOCUS

GLOBAL FOCUS

IMPLOSION TO NORTH

IMPLOSION TO NORTH

APPARITIONS

APPARITIONS

Thanks to Steve Lederman for scanning these images for me!

Steve also developed the film for me in his home-basement-lab.

Metal sculpture by Canadian sculptor Roy Hickling.

GEOMETRY

This series of photographs all feature circular sculptural pieces set against various items, creating some interesting geometry.  I especially liked the circular globe set with the squares, rectangles and triangles of the mid to late 1800’s barn.

GLOBAL FOCUS

Again, this image places several shapes throughout the stereo image.  I was also interested in the challenge the shadows brought to this shot.

IMPLOSION TO THE NORTH

This image features a complex globe with an interesting movement of its structural pieces towards what I imaged as “north” in this piece.  This image was actually quite difficult to mount for me.  I am still trying to get the hang of mounting certain images.

APPARITIONS

This was a triple exposure – on purpose – where I was trying to not completely blow out the exposure.  It isn’t a great shot, but it was a great experiment I wanted to share.  To be honest, the more experimental approach is where my heart is – and where most of my shots land.