Kalalau Sunset #5

Kalalau Sunset #5This spot was suggested by Robert Hitchman in his Photograph America newsletter. You are looking toward the rainiest place on earth. As such, by the time you drive to this vista for a sunset shot, you have no idea what conditions you’ll find. This is at the Kalalau Lookout, about 17 miles up road 550 on the island of Kauai. I’m standing on a sidewalk behind a big metal rail. Nonetheless, the view there is stunning.

I can be dense but sometimes I’ll learn something from experience. I was at this spot two nights and the first time there was a cruise ship hanging out in the water below. I thought I’d wait for it to get out of my shot before I pulled out my good film cameras so I started shooting with my digitals. Now that I see those digital shots I am kicking myself. The cruise ship at that distance just becomes an iconic ship, and it looks like it’s sailing away from Eden. I think this is a beautiful picture but that was a beautiful picture that told a story and I’m really sorry I missed it.

Misty Waimea Hills #3

Misty Waimea Hills #3Some months back I was trying to figure out how to use a neutral density graduated filter with my TL-120. I knew I could get the round, screw in type, but that limits the composition of the image. At some point I had a brainstorm that the cokin style X-PRO series filters were big enough to fit over both lenses. So I found a used filter holder and it was indeed big enough to fit over both lenses. Next I had to find someone who had X-PRO sized ND grads. The place I found was in the UK and they claimed they had Lee Filters in X-PRO size. I thought this had to be a misprint because I could find no evidence anywhere that Lee had ever made such a filter. But after several emails to the UK company, the rep assured me they filters were real, so I took the plunge. My best friend friend build me a mount for my camera and we devised a system for getting the filter set properly (since you can’t see through the taking lenses).

This image has some gratuitous depth in the foreground which I included because a hyper didn’t make sense with the TL-120. Other than that, I really like this image. It was taken on the road that goes up Waimea Canyon, just past the 3 mile marker, on the island of Kauai. I used a 3 stop ND grad to darken the sky. It also got me some misty hills which is an effect I’ve always wanted to capture.

Self Portrait with Bubble (Bubble Lights 2.4)

Self-Portrait with BubbleOur fearless leader John has suggested we all enter self-portraits. So here you go. A couple years ago I was preparing to have a photo session with my friend (and master bubble blower) Tom Noddy. I wanted to work out the kinks before Tom came over so I experimented. Can’t remember if I had a digital slr at the time but that would have been invaluable. I’m sure I took readings from a flash meter plus I did some tests for DOF with a tape measure running away from the camera. My memory is that the tape measure showed focus on the inch numbers 28 through 32 but the notes on this image indicate a wider range.

This is shot with the TL-120 with Provia 400X, 1/60th of a second at f22. The focus was cranked to the .8 marker. The notes indicate that my face was at 32″, the bubble at 24″. There was a large potato masher style flash aimed at the ceiling and a Vivitar 283 equipped with a lightsphere (yes, I bought one of those silly things). There was black velvet draped behind to limit the depth in the scene. Shot in my dining room.

Playing chess, big chess

Does the blur signify motion and dynamism in 3D like it can in 2D, or is it a problem? Do we have less tolerance for movement in 3D? If yes, is it just a convention or do we need to be able to see the entire image clearly for the illusion to work well? I have another shot of this scene without the chess players that is clear but static.

Original slide shot August 24, 2010 at the Hariot Bay Inn on Quadra Island in British Columbia with a tripod-mounted Heidoscop with Provia 100P at 1/100th at f25.

Reaching for the ray of sun

Certain species of trees, such as the Western hemlock in the foreground, tolerate shade and remain small for years in the undergrowth waiting for an opening in the canopy to initiate rapid growth.

Original slide shot August 23, 2010 off the Lupin Falls Trail in Strathcona Provincial Park on Vancouver Island in British Columbia with a tripod-mounted Heidoscop with Provia 100P at 1 second at f25.

Lifeguards, Long Beach NY

There is something contradictory about lifeguards. They represent authority and serious responsibility but also good times, youth and summer. There are long periods of idleness interspersed with action and occasionally crisis. The serious gaze of the lifeguard in the foreground is echoed by the people behind him, while the lifeguard on the chair faces the other way as she blows a warning on her fluorescent orange whistle.

Original slide shot during the summer of 2002 with a tripod-mounted Sputnik with Provia 100P, exposure unrecorded.