Morning Dew

Morning DewI enjoy playing with back-lighting, which in this case lit up the drops of early morning dew on the grass. The uncoated lenses on the Heidoscop require careful shading to avoid flare in back-lit situations. I hope this image captures the calm I enjoy in the Parc du Bois-de-Coulonge in Quebec City.

Original slide on Provia 400X taken with a tripod-mounted Heidoscop at 1/15 sec. at F25 on August 9, 2014.

 

 

Moon Vine

Moon Vine The dew on these moon vines at sunrise seemed to give them a silvery sheen. These vines are located at one of my favorite parks in Quebec City, Parc du Bois-de-Coulonge, which housed of the residence of lieutenant-governors from 1870-1966.

Original slide on Provia 400X taken with a tripod-mounted Heidoscop at 1/6 Sec. at F25 on August 9, 2014.

 

Fiery Depths

Fiery Depths

Looking down into the pits of hell, are those the screams of your political opponents you hear? Maybe it’s only last night’s burritos talking.

Regardless, I don’t want to be pitched over the edge.

TL120-55, Ilford HP5, DR5 processing (Yes, I typo’d the title on the mount, but given the scarcity of mounts I didn’t feel the need to remount in a clean one.)

Against The Light

Against The Light

Looking over my earlier efforts at winter landscapes, I decided that my lighting decisions were too conservative and would never capture the feel of a winter snowscape. In February of 2014, I tried to change that by using more aggressive sun angles and shooting into the light. I didn’t want to go full contre jour because so much of what I find engaging are the textures of the surfaces, and MF3D is superb at capturing textures.

Here, I tried to position the camera so both lenses were shaded by the distant trunk, and positioned a flash on the left. I then waited while the earth turned, and tripped the shutter as the shadow-line reached the camera.

The result is the the best representation I’ve been able to make of a Juneau winter day. The sky isn’t blown out, but is a featureless sea with a floating sun. The trees are more than silhouettes and able to contribute to the story.

Standing Proud

Standing Proud

Standing Proud

This image has been a while in the making. After reviewing my  attempts at winter landscapes, I went out to try to do some things differently. I loaded a pack, took the first sunny day off work, and headed out to Cowee Creek where I knew I’d have moderate snow, free-standing trees, and a dramatic backdrop lit by the low afternoon sun. The film was exposed in February of 2014, processed by DR5 in May, and mounted in February of 2015.

To try to force the back of foreground tree trunk out of the shadows, I used a couple of Vivitar 285 flashes. One weak one firing forward (and slightly right) from just below the camera, and a stronger one coming from the far left.

While I think my concepts were correct, I fell short in the execution. This was the last roll of the day. It is a tested characteristic of my camera that the shutter timings start to drift at low voltages. By the time this roll was exposed, the batteries in the TL120 were failing in the cold and the right side was under exposed.

Dripping Foliage

Foliage at Cowee Creek

Foliage at Cowee Creek

While this film was exposed in February of 2014, I only mounted this image recently and Boris’s foliage efforts prompted me to include it in the folio. While it lacks the diversity of color most people associate with “foliage”, I hoped the medium would be able to convey the textures and details I found that day.

I have been generally dissatisfied with the winter landscapes I’ve made, so tried to do this session differently. Rather than try to frame with the sun behind or safely off the lens, I shot into the sun or let it come aggressively in from the side. This is a “from the side” shot with at least one Vivitar 285 providing fill against the natural light. I didn’t make a lighting sketch, but I suspect there was one above the camera and a stronger one firing from the right.

Tent Rocks near Los Alamos

Well, this one is a bit different. It’s a hyper of a formation about 1/8 mile away taken using the Sony SLT 55 with a 100 mm prime macro lens. The images were acquired as part of a rapid burst from a moving car (I’d had foot surgery and my wife was driving me about). The spacing of the shots is around 100 feet. The white formations are about 30′ tall. This is a little known site near Los Alamos.

This was transferred to TL 120 using a “4K” screen. See “Camel Rock North Face” for the details of that process.

There is a very famous grouping of tent rocks, larger and more numerous, south of Santa Fe, which some of you may know of. They occur only in a few places, including outside of Istanbul, Turkey.

I’ll be heading out to Tent Rocks proper in the summer once things have solidified.

Overlook Park White Rock, New Mexico

This image was taken using cha cha and a single Sony SLT 55 with 35 mm Sony prime F1.8 lens. The focus of the infinity point was a bit soft so I used a bLind deconvolution filter (Lucy Richardson) to refocus. Then the images were transferred to TL 120 by photographing a quad UHD screen with custom color table.

This is one of my favorite sites, with many opportunities for interesting views depending on the time of day. This wa 2pm to a bit hard lighting. The figured rock in foreground was interesting. I was pleased that the raw format and transfer process kept the detail and color of the highlight on the rock. In the left distance is Black Mesa. I lived near there for 5 years in a former candle factory where I had a lot of my woodworking equipment. I’ve since sold that equipment.

When I take this site again, I’ll be using the tl120 directly with its 85 mm lenses

Camel Rock West Face

Sony slt 55a 35 mm prime. Cha-cha. October 10, 2013 10:35 am.

Used to be you could climb up on this until about 1970. There were actually two formations, one about 100 yards south. Some kids attached a rope and pulled it down with a pickup. So they put a fence around it.

This was transferred to TL 120 using a “4K” screen. See “Camel Rock North Face” for the details of that process.

Camel Rock North Face

 

I only recently discovered the MF stereo world thanks to Nik! the first I’d seen was at the 2012 NSA. Immediately after that I’ve had 7 foot surgeries and unable to use my TL 120 the way it was intended.  Determined to participate though, and once things are healed I’ll be getting out and composing directly to film. I realize one goal of this folio is to preserve the art of direct analog film photography, so my new entries are a bit of sacrilege. Since I’m a scientist I like to experiment. I have a bunch of 35 mm stereo and digital stereo photos. One question I wanted to answer empirically was: what would it look like to transfer images from my archive to medium format. Continue reading

String of Pearls

String of Pearls

Brooklyn Bridge with the lights on

In all but one of my shots of the Brooklyn Bridge from the Manhattan side the lights are off. This is the outlier. I think they were turned off this day at 1 am, shortly after I shot this. Twin Hasselblad 500Cs with 50mm lenses mounted on a wooden bar as close as I can get them (about 4.25″ between lens centers). Provia 100f, f22, 4 minute exposure.

Golden

Golden

Fireworks above Lake Union in Seattle.

This was shot on July 4, 2014 from the rooftop of a friend’s condo. I get the entire 40′ long, flat space to myself! And I take advantage of the full length. The cameras are Hasselblad 500Cs, outfitted with 150mm lenses. They are triggered by a wired remote devised by my genius friend, James Baker, who owns the condo. There is an article in the 1.2014 issue of STEREOSCOPY detailing what goes into the planning. See:

http://www.stereoscopy.com/isu/stereoscopy-journal-97-2014-1.html