Ian Andvaag’s D24 submission

For this round, I set aside fifteen or so slides and asked a few people to suggest which four I should submit. There wasn’t perfect agreement, but I think these four came out on top.

I was inspired by Paul Gillis’ D22 submission “Drill, Grind & Dry” to try some more still life in MF3D, as I think it has been somewhat underrepresented in the folio. This view of the breakfast table at Easter was taken from a pretty unconventional perspective, but I wanted to limit the far point so I wouldn’t record too much on-film deviation. I had hoped to mount the image with the orange juice protruding through the window, but I was thwarted by the fruit bowl being closer to the camera. Oh well, the window isn’t so important in MF3D anyway.

Easter Breakfast

In 2018, some friends and I went on a road trip to Utah — it’s about the closest place that you can get decently warm weather in April. We did a lot of hiking, and I wanted to keep weight down so I brought my Sputnik rather than my TL120. I also didn’t bring a light meter, so this one turned out a bit darker than I’d hoped.

Staircase Escalante, UT

My last two submissions this round are from one of Saskatchewan’s National Parks, called Prince Albert National Park. It is better known as Waskesiu, which is the name of the lake where the town-site and cabins are located.  This slide was taken on a 7 km trail quite near to the town-site.

Fisher Trail Waskesiu

Our campground at Waskesiu had several bright yellow lady’s slippers in bloom. The weather was punishingly hot, and so we spent a fair bit more time in our campsite rather than hiking. I challenged myself to shoot a full roll on the lady’s slippers. A question to all the close-up aficionados — how do you get enough depth of field to get everything sharp in medium format? I believe that I am well under MAOFD with this slide, but I can’t get everything sharp at f/22 unless I use a conventional depth range of 3-4 meters to infinity. Should I try to shoot with the camera pointed straight down to limit the distance of the background? When indoors, a wall can be used to limit the depth, but often I find it challenging to come up with a pleasing composition outdoors which has a limited depth range.

Lady’s Slippers