Packard Veteran

by Timo

At a sales office, for a new condominium near my house, they had a display of antique cars for over a year. They have been prepared for display using a new technique (to me) where they sand down the layers of paint  to deliberately show them. It makes for an interesting photographic experience. I chose a sunny Saturday morning to take a few shots of them.

After handing the folio to Steven Lederman, at a Tim Hortons in Scarborough, I saw the same cars, now parked to promote a different condo building.

Velvia 100 in my TL120.

 

Big Yellow Taxi

by Timo

The Toronto Police always have a display at the Toronto Indy, and most years, they have this 1957 Chevy Police car. They had this yellow colour until some time in the 80’s. I seem to remember this particular car dressed with eyebrows and blinking eyes, made from fiberglass, over the windshield, as Blinky the Police car. It was taken to schools and to community events.

Anyhow, the title “Big Yellow Taxi” is from the Joni Mitchel song, of the same name, which she wrote when she lived in Toronto (stop me if you have heard this before). The idea of the police car, which looks like a taxi cab, leaves the song making more sense, than if you didn’t know it was supposed to be a police car, taking away her “old man”.

Shot on Provia 100f in my TL120.

Come, Fly, With Me

by Bob Venezia

I like the look of this bee a lot, but this is one of the very few times I was able to also capture an insect other than a bee. One of the things I love about these echinacea is the colorful spikes in those danger colors—yellow, orange, and red—like a collection of nuclear warheads arranged by Fibonacci.

Honeybee and green fly join forces in the inspection of nuclear warheads

Honeybee and green fly join forces in the inspection of nuclear warheads

Tom & Small Cube

by Bob Venezia

My friend Tom Noddy displays one of his more renowned bubble creations. The cube is constructed by blowing a bubble and catching it so it is hanging from his bubble wand. A second bubble of equal size is blown beneath, so it is attached and suspended below the top bubble. It looks like an hourglass, with a flat membrane between the two bubbles. Next four more equal sized bubbles are blown around the “waist” of the hourglass, so they connect. And finally a smoke-filled bubble is blown into the middle of it all.

This was shot with several flash units scattered around the room, and black velvet draped behind to isolate Tom and the Bubble.

Tom Noddy displays a bubble cube

Tom Noddy displays a bubble cube

Michele + Jet in Philly (Zagar A208)

by Boris Starosta

Sometime around 2017 we visited Philadelphia to take in a concert by Raffi, whose music Jet just loved to pieces. It was the furthest South that Raffi had ever travelled in his very long career of live performance for young audiences (Raffi is Canadian). Raffi is getting pretty old these days, so we jumped at the chance to go see him. Of course, a stereoscopic angle had to be included, so I undertook to find some of Isaiah Zagar’s thousands of murals. He has practically covered Philadephia with these distinctive works, which have a lot of stereoscopic interest, on account of the liberal use of bits of mirror. Learn more about Zagar’s opus here: https://www.phillymagicgardens.org/about-philadelphias-magic-gardens/about-isaiah-zagar/
Photography was done with a Sputnik shooting Velvia 50. But the weather was not as bright as I had hoped for. On the ground you can see my test exposure rig, a twin rig Sigma DP1 Merrill.

Ian Andvaag D25 submission

by Ian Andvaag

I’m a bit short on time, so my comments on my submission are a bit sparse, my apologies. My first two submissions this round are from Narrow Hills Provincial Park. I wish Fallen Pine was a half stop darker. What’s your technique for metering? I have a Pentax Spotmeter V, but I don’t think I had very good technique as many of my slides were overexposed when I used it. I mostly use a Gossen Luna Pro F nowadays, but I would like to up my game and learn how to spot meter properly. If any of you have tips or resources, I’d be glad if you’d share them with me.

Jade Lake Ridge. Tl120-1, RDP III

 

Fallen Pine, TL-120-1, RDP III

Next is Cattle Gate, from Grasslands National Park. There is an exposure mismatch that I can detect in the sky, not sure why this is as this was on my TL-120. Maybe the batteries where getting low? Has anyone else experienced this? I don’t think I’ve noticed it on other shots I’ve taken since.

Cattle Gate, TL-120-1, RDP III

Finally, a photo from the Saskatoon Exhibition. I don’t think this is as good as Bob and Timo’s slides of the fair, but I did enjoy going and taking some nighttime photos of the rides a few years ago. I wish I could control the lens flare a bit better, but I guess it comes with the territory when you shoot directly into bright lights.

Mach 3 & Water Race, TL-120-1, RVP 100

Scrutinizing Sharpness (Ian Andvaag A33)

by Ian Andvaag
For this loop, I wanted to get some feedback on sharpness. I’ve been working through some of Mike Davis’ spreadsheets and trying to determine if I’m leaving a meaningful amount of sharpness on the table by using a TL-120 or Sputnik. As I understand it, Mike’s contention is that it is not possible to get critically sharp slides with appreciable depth using standard 60-65 mm stereo base and normal FL lenses. I’m rather surprised by this contention after having seen many fantastic slides taken with TL-120s and Sputniks, but I know it’s easy for one’s eyes to be fooled, and I would guess that 95% sharpness looks close to 100% sharpness. I will say that I was particularly struck by David Lee’s Yosemite Fall slide that was included by John Thurston this loop, which seems impossibly sharp, and was not taken with a standard stereo base. I believe the proper way to investigate sharpness would be to shoot some scenes with resolution test charts at various distances and then to side by side A/B comparisons with the resulting slides in a viewer. I wish I could ask Don for advice, I know he occasionally did tests like this 🙁

 

With all this in mind, I picked out several slides which I personally believe to be quite sharp, and I would appreciate any feedback from others about any perceived lack of sharpness. Cloud Inversion should probably be considered as the “base case”. I believe the nears were around 50′ and I focused around that point, shooting at f/16 I believe. I believe this should secure more sharpness than the eye is capable of detecting in a standard viewer. I don’t really know anything about a cloud inversion, maybe this should better be called thick fog that settled into the valley.  Anyway, it was rather unexpected and interesting to see when I woke up to photograph at sunrise. There is a bit of retinal rivalry in the clouds and shadows as this is a chacha with a tripod and it takes some time to set up the tripod and adjust the framing. Apparently quite a few dinosaur fossils have been found in these badlands.

Cloud Inversion

 

I perceive Gem Lake Reflection to have a high degree of sharpness, however I don’t think it is objectively sharper than any of my other standard TL-120 slides. I believe the perceived sharpness is largely due to the adjacency effects caused by the high acutance first developer, along with the fairly visible grain.

Gem Lake Reflection

 

Bryce Hoodoo, yes this is a Sputnik shot, and there probably is some falloff in sharpness towards the corners, but I’m not sure I can detect it! Maybe the pine needles at the far right are a bit soft. This is a pretty “easy” shot to secure sharpness as the deviation is quite low, (the nears are rather far away) but I would be surprised if I changed the aperture off the default f/22 hyperfocal setting. I do think the rock and ground appear sharper than the objects in the far distance, but I’m suspecting that this is more due to the haze and lack of high spatial frequency information in the distance rather than the Sputnik having overly relaxed hyperfocal markings, although it could be both!

Bryce Hoodoo

 

Camping Breakfast was shot at f/22 using the standard hyperfocal markings on the TL-120 and I used the entire range (the near distance was 3 meters). I might be able to detect the smallest lack of sharpness in the specular highlight on the blue water bottle, but I’m not sure. I think the exposure was 1/8 of a second, so the people are probably not perfectly sharp. Yes it was posed!

Camping Breakfast

 

In my opinion, Cloud Inversion does seem ever so slightly sharper than the others, but I’m not entirely convinced it is because of the more conservative DOF tolerance, but rather that the size of the plants at this distance provides a fairly high frequency subject and the low angle of the sun provides fairly high contrast, while non-hyper shots typically have inherently less high frequency detail.

 

So what do you think? Do you use the standard hyperfocal settings on your lenses? Or do you stop down one extra stop? Or some other technique? Ok, enough nerd talk. Sorry to ruin a perfectly good post with all this talk of sharpness! I certainly don’t think it’s the most important aspect of a successful MF3D shot, but it is fun to discuss.

COVID Road Trip #1

by Steven Lederman


As soon as the borders opened, I booked tickets for “The Presidents’ Heads”. My visit took place in November of 2021. I plan to visit the site again for one of the offered light-painting workshops.
“Bedrock For Bonzo” – TL-120-55, expired Kodak LPZ.
“Anti-Vax in Denim Slacks” – I met a lot of nice photographers at the Heads. A pair of them actually told me about a site that would eventually become COVID Road Trip #2. I met one fellow who shook my hand and told me about how much he liked Canada, but then went on to say that he couldn’t go there at present because he’d have to get vaccinated. Then the conspiracy theories began to be spewed. I excused myself from the conversation, claiming that I had to return to photographing before the light faded. – Holga Stereo Colour Flash, some expired film, most likely Kodak.
“Camera Pole Assassin” – when the busts were being moved to their present location, Lincoln toppled off the flatbed and the back of his concrete head exploded. Art imitates life. TL-120-55, expired Kodak LPZ.
“Concrete Candidates” – TL-120-55, expired Kodak LPZ.