Vancouver Canucks building near the downtown area. There seems to be a slight mis sync noticeable in the second passing vehicle.
Tag Archives: Fuji Provia 100F
OOOH…..3-D
What can I say?
Original slide shot in San Francisco August 25th, 2009 with handheld Heidoscop using Provia 100F exposed at 1/25th at f18.
Bastrop State Park #2
I provided all the relevant data in the previous post on Bastrop State Park. 2011 Texas experienced a severe drought, over 300 million trees died. My photos do not begin to depict the severity of the wildfire in the park. The park will take decades to reco
ver. The Lost Pines of Texas near Bastrop are important as they are the westernmost edge of the species’ natural range.
All photos were shot with the TL120 and I used either Provia or Kodak 100. And they were handheld using natural light. F/stop not recorded nor remembered.
Bremo Power Plant Far Room
Date: April 2012
Tech:
Available light exposure of 1 second on FUJI Provia RDPIII film, at f22, with a modified TL120 (65mm lenses) on loan from John Thurston. This is the original slide.
Notes:
Earlier this year I had the chance to photograph inside an old coal fired power plant. Chuck Holzner and I travelled to the plant three times with various MF and digital cameras, and this slide is just one of probably over a hundred made coming out of those expeditions. The plant is in Fork Union / Bremo Bluff, VA, and was built about 1930. It was the first plant to be built with an “automatic” central control room. That means that valves, pumps, and other control elements could be remote-controlled electrically from the control room. This plant was decommissioned in the 1950s and now sits adjacent a newer plant.
Small Light Stream
One more Bob V. tribute!
I took a series of close-up, Autumn stream shots just down from the Kilgore Falls pictured in my last entries. They turned out OK, but not too exciting. Then I remembered seeing how Bob improved a Bryce Canyon shot with a pan mask crop in the last folio. So I just scooted the smaller frame mount over the pics and arrived at this. I really utilized the 3D World mounting jig for the first time on this one, to try to save everyone too much eyestrain! (and criticism) 🙂
The DOF, of course, suffers shooting at such a close and slanted angle. But the shapes and colors remind me a bit of Klimt and other curvy, Fin de Siècle paintings. So, I can just enjoy the pure abstraction of it, without worrying just how sharp or well exposed everything is. I like looking at the floating, squiggly highlights and finding all the tiny, nearly invisible jets and drops of water poking out in depth. View this one with maximum lighting, if you can!
Artscape #2
This was taken at Baltimore’s Artscape Festival in July – said to be the largest, free outdoor arts event in the country. I set out to do a series of slides to contribute to a “Summer in the City” themed gallery group show last year. The gallery was enthused about the stereo format, but we still have a way to go in presentation ideas and executions for them.
This was shot at a performance by the frenetic “Baltimore Rock Opera Society” (BROS). Think Ed Wood-meets-Bosch, set loose on the sweltering streets – but the music and singing was actually pretty decent. I just set up my tripod and TL-120 behind a stage, hoping not to get knocked over.
Tacky, silly, and so very Baltimore, Hon!
Fresh Fruit
I did another small series of MD Renn Fest shots this Fall, but a freak Oct. snowfall prevented me from doing the PA one this year.
April, the confident, photogenic vendor shown here, was introduced to me by Tom, (another roving, middle-aged photographer who was toting an impressive lens and digicam). 🙂 He said he has a Realist camera and was into NSA and such a few years ago, and I invited him to jump back into the fold.
Anyway, I did a few shots of her and others that warm day. I waited until the later afternoon when the sun slanted thru the thick, forest canopy of the grounds. It really is a special time, and no, I didn’t usually bother with fill-flash or reflectors. I like the way the sharp lighting heightens the fabric textures of the costumes, even at the expense of harsher shadows on the skin. Check out the fine print detail on those bills she holds! I got a whole, small series of various Renn Denizens, (including 1st attempts at Bob V. Style close-up portraits). I’ll slip more into the folios to come.
Reflection Lake Star Trails #2
I know what you’re thinking — the thing missing from this folio is some photos of Mt. Rainier.
For at least a couple years now Don Lopp has been bugging me to get down to Reflection Lake and capture this shot under a full moon. The idea is to take an exposure long enough to let the moon light the scene like day and still get star trails.
I shot some other film that night and processed it first. It came out much too dark and in the end I pushed this roll 2 stops. This was a 90 minute exposure. With the push it’s the equivalent of a 6 hour exposure (and star trails could have been 4x as long)! I am baffled by how true the colors look. I see no reciprocity failure.
Shot with 2 Hasselblad 500Cs on a twin bar. Provia 100F at f16.
Misty Waimea Hills #3
Some months back I was trying to figure out how to use a neutral density graduated filter with my TL-120. I knew I could get the round, screw in type, but that limits the composition of the image. At some point I had a brainstorm that the cokin style X-PRO series filters were big enough to fit over both lenses. So I found a used filter holder and it was indeed big enough to fit over both lenses. Next I had to find someone who had X-PRO sized ND grads. The place I found was in the UK and they claimed they had Lee Filters in X-PRO size. I thought this had to be a misprint because I could find no evidence anywhere that Lee had ever made such a filter. But after several emails to the UK company, the rep assured me they filters were real, so I took the plunge. My best friend friend build me a mount for my camera and we devised a system for getting the filter set properly (since you can’t see through the taking lenses).
This image has some gratuitous depth in the foreground which I included because a hyper didn’t make sense with the TL-120. Other than that, I really like this image. It was taken on the road that goes up Waimea Canyon, just past the 3 mile marker, on the island of Kauai. I used a 3 stop ND grad to darken the sky. It also got me some misty hills which is an effect I’ve always wanted to capture.